Abstract :
The Arts Council run Chrisi Bailey Award for
young people’s photography in schools is now
entering it fifteenth year. The spirit of the award
remains that of Chrisi Bailey’s own view of
photography as, an active medium of participation,
through which the child can make
discoveries, record and communicate about
themselves and the world around them. This
paper uses the work of the Chrisi Bailey Award
as a kind of historical record, an archive, which
can now be looked at in terms of changes in
photography, representation and education. It
asks three related questions. What view of
creative, educational practice is present in the
school projects? What view of representation is
encoded in the selected images? What view of
photography and its technologies are embedded
in the children’s practices? Through answering
these questions the paper attempts to chart
continuities and changes in our understanding of
the cultural politics of self-representation and the
effects of digital technologies upon photographic
practice. The paper reflects upon the
tradition of photography in education and
attempts to update its agendas.