Abstract :
This study draws upon interviews with fifteen
secondary art teachers in Australia and England
and focuses on the selection and censorship of
artists and art works for student study. Given that
cutting edge art must shock if it is to change artistic
sensibility it would seem that the study of
contemporary art must present students and
teachers with many ethical dilemmas. The violent,
sexually explicit, disgusting and psychologically
disturbing, nature of many contemporary arts
works make them potentially offensive, disturbing,
provocative and confusing to young impressionable
minds. While wishing to be open-minded and to
teach inclusive curricula, art teachers are also
aware of their accountability in the community
and their responsibility for the well being of their
students. The study examines ways in which art
teachers achieve postmodernist plurality in their
programs yet also respectfully stay within the
parameters of modernist school charters which
define curriculum limits.