Abstract :
The intention of this paper is to explore traditions
and current trends in art with particular reference
to the depiction of female experiences such as
pregnancy, abortion, birth and motherhood. The
inclusion and exclusion of such images in art
history over time and across societies reflects
prevailing attitudes, whilst affirming various stereotypical
and gendered constructions developed and
sustained within those societies. These constructions
in turn relate to criteria defined by class,
access to education and notions of femininity.
Work by artists which feature aspects of these
experiences (particularly childbirth), is considered
taboo by many in a Western society which continues
to render the essentially female experience
as private, invisible and stigmitised and confuses
the natural with the sexual.
The work of undergraduate art students,
inspired by the artwork of women artists who make
explicit or are influenced by essentially female
experiences, is discussed and attempts made to
connect their work to the issues outlined.