Author/Authors :
Shamami, Ayoub Hojjat Master’s of Art History - Universiti Teknologi MARA (UiTM) - Faculty of Art and Design, Malaysia
Abstract :
Conceptual Art was an avant-garde movement that gave special attention to the idea, meaning, and
concept rather than the beauty, form and art piece. From the early days of the movement in the
1960s, Conceptual Art and language have tied together. In fact, some conceptual artists attempted
to make a bridge between language and art. Language offers many artists, such as John Baldessari,
Joseph Kosuth, and Jenny Holzer, a lot of possibilities to convey their provocative messages to
people. In this way, they succeeded to engaged people directly. This communicative power of
Conceptual Art and language has inspired the design world, in particular, the fashion world. The
purpose of this research is to investigate the connections between Conceptual Art and language in
fashion. At first sight, it seems that there is no relationship between Conceptual Art, language and
fashion phenomena. Because fashion is a big business and selling products play a vital role for
fashion designers. On the contrary, in Conceptual Art, the concept or the idea is more important
compared to the final product and market needs. This paper will also discuss how some fashion
designers succeeded to show the relationship between Conceptual Art, language and the final
product. It can be concluded, for these fashion designers, fashion is beyond the clothing itself.
Through language, they become a kind of meaning creator which is the ultimate goal in Conceptual
Art.
Keywords :
Meaning Creators , Fashion Phenomena , Conceptualism , Language-Based Artwork