Author/Authors :
Mirshekari, Zeinab Department of Curriculum planning - Isfahan (Khorasgan) Branch - Islamic Azad University - Isafah, Iran , Saadatmand, Zohre Department of Curriculum planning - Isfahan (Khorasgan) Branch - Islamic Azad University - Isafah, Iran , Keshtiaray, Narges Department of Curriculum planning - Isfahan (Khorasgan) Branch - Islamic Azad University - Isafah, Iran
Abstract :
This study intended to develop and validate the methods for teaching art in
elementary schools. The first part is a qualitative phenomenological study
focusing on the experiences of art teachers and students. Participants in the
first part involved 12 art teachers and 15 elementary school students living in
Fars province, selected through homogeneous sampling. One-to-one semistructured
interviews with art teachers and elementary students were used for
the purpose of data collection. In order to analyze the interview data, Colaizzi
seven-step method was used. In the first part, the findings were validated
through examining the interviewees, and content analysis method was used in
the second part. The content analysis focused on all texts and articles that
dealt with the methods of teaching art to elementary school students. Reality
reconstruction was used to validate qualitative data. For this purpose, the
interviews conducted by the interviewees were read and finally approved by
deleting, adding or subtracting. The findings showed the following 7 criteria
for teaching art: teaching method criterion (including group and individual
dimensions), student criterion (including knowledge, attitude, skill,
intelligence and thinking), teacher criterion (including teaching method and
scientific development), opportunity criterion (including culture, heritage, art
and art within social context), weakness criterion (including parents,
education, time, equipment and books) strength criterion(including upstream
documents and the status of art) and finally the criterion of principles
(including the principle of moderation, the principle of creation, the
combination of art with the objective and principle of freedom).