All-over, over-all: biothing and emergent composition

In the last decade, the impact of the digital on form-finding in architecture has been conspicuous. Could working with computational algorithms as the primary generative material, however, have deeper, more far-reaching effects on the creative field? Here, Pia Ednie-Brown asserts that a new paradigm in composition is being articulated, as exemplified by the Invisibles installation, created by the New York-based practice biothing.