Abstract :
This article explores the making of gendered and religious identities among
a group of Ghanaian Methodist women in London by bringing to the
fore the complex and irreverent ways in which the women of Susanna
Wesley Mission Auxiliary (SUWMA) negotiate their recognition within the
predominantly patriarchal settings of the Methodist Church. If, on the one
hand, the association and its members conform to Christian values and widely accepted Ghanaian constructions of womanhood, on the other hand, flouting
expectations of pious femininity, they claim a unique, elevated position within
the church. Their transgressive hedonism can thus be read as a performative
assertion of their claims to respect, recognition and leadership beyond the
narrow parameters of gendered modesty. Many of the women are senior
church leaders and respected members of the diaspora. All are successful
professional career women and economically independent. Their association
is simultaneously about promoting the Christian faith while being recognized
as successful, cosmopolitan, glamorous middle-class women. It is this duality
which the present article highlights by showing how members of the association
negotiate and construct their subjectivities both within the Methodist Church
and the Ghanaian diaspora, while they also negotiate their relationship with the
Methodist Church in Ghana.
Keywords :
GENDERED POWER , Africa , METHODIST DIASPORA , GHANAIAN , Mattia Fumanti