Abstract :
The essay examines Shakespeareʹs Rape of Lucrece, which portrays the love of honor animating political life in early Rome. Demonstrating the relation of the soul and the city, the poem depicts the psychology of honor, envy, and shame; the near identity of moral worth and public reputation; the close connection between deeds and truth, action and speech; the insufficiency of moral intention; the city as an association of fathers; the relation between the inner and the outer man, soul and body; manly courage as proof of feminine chastity; the private effects of a fully public life; and, generally, the simultaneously self-denying, self-affirming core of Romeʹs political life. The essay concludes by considering why Shakespeare, in presenting a historically accurate portrait of early Rome, puts it in the mouth not of a Roman, but of a medieval or Renaissance narrator.
