الرمز والاسطوره والصوره الرمزيه في ديوان ابي ماضي

ابو ماضي از شاعران پيشگام در زمينه رمز واسطوره است، اما بيشتر تحقيقاتي كه در مورد او صورت گرفته، به اين موضوع از ديدگاه هنري نپرداخته، بلكه بيشتر متوجه جوانب اخلاقي و تشبيهي بوده، به گونه اي كه او در زمينه تصوير هاي حسي، شاعري بزرگ به حساب آمده است، اما كمتر تحقيقي به جنبه ابداعي و هنري تصويرهايش پرداخته است. اين تحقيق به بررسي رمزها و تصويرهاي رمزي اين شاعر پرداخته، و نشان داده كه بسياري از تعبيرهاي او مبتني بر تصويرهاي بياني و تشبيهي و مقايسه اي است، و توجه او بيشتر جوانب ظاهري رمزها بوده، بدون آنكه حقيقت رواني و فراگير در وراي آن باشد. هر چند كه حكايتهاي رمزي سهمي عمده اي در شعر او داشته، و ارزش اخلاقي واجتماعي بارزي دارند، اما اندكي از آنها، در دايره تصوير رمزي هنري وارد مي شود، واين امر از آن جهت است كه شاعر بيشتر در پي بيان تفكري خاص يا موعظه اي اخلاقي هست، نه حقيقتي دروني. و كمتر تصويري و رمزي در ديوان او به چشم مي خورد كه از حدود موازنه و حس جامد فراتر رود و بينشي وحدت گرايانه را جايگزين آن كند، و در پي واقعيتي رواني باشد، اما اين تصاوير اندك نيز توانسته اند در آسمان هنر اوج بگيرند.

Symbol, Myth and Symbolic Depiction in the Works of Abu-Madi Sardar Islani Assistant Professor, Dept. of Arabic Language & Literature, University of Isfahan Nasrallah Shameli Assistant Professor, Dept. of Arabic Language & Literature, University of Isfahan Askarali Karami PhD Student, Dept. of Arabic Language & Literature, University of Isfahan Abstract Abu Madi is one of the pioneer poets in the field of symbol and myths, however; this aspect has completely been ignored or forgotten in researches, so far, conducted on him. Those researches mostly focused on simile and moral aspects, not the aesthetic ones. In fact, he is considered a great poet with regard to tangible depictions, but a few of them could pay attention to his innovating and aesthetic senses. The current study tries to review symbols and symbolic depiction of this poet and then concludes that a large number of his interpretations are based on expressive and metaphorical portraits. In other words, his attention was driven toward external limits of symbols, without any psychological and inclusive reality behind it. Although, symbolic anecdotes have a major share in his poetry with social and moral values, but few of them enter the scope of symbolic and aesthetic portrait, because of their moral and speculative traits, and lack of internal reality. There are a few portraits in his poetry that go beyond the metaphorical and equipoise limits and replace it by unitary vision and pursue psychological reality. However, these little portraits were unable to ascend in the artistic domain. Keywords: Abu Madi; Symbol; Myth, Symbolic Depiction; Fables