سعد الله ونوس و الاتجاه نحو المسرح التسجيلي دراسة تطبيقية في (حفلة سمر من اجل/ 5/ حزيران)

The setback of June /1967/ was a good reason for Wannous to change the theater forms which became inconsistent with his reality, Moving from absurd and existential stage to another stage adopted political and social intervention directly, representing human pain within historical circumstances by using a new artistry theatric formula, to change life after explaining it, and as long as he chooses to be a witness, a judge, and a libel, the theatrical documentary form was the closest to the intended nature of the event, because it is one of the theater realistic forms, and its job is recording theater after the necessary adjustments in shape without the change in content; for that reason he focused his attention on human, linked to his issues, recorded the historic event and the motivations of the common categories of the incident, removing the masks from the faces of icons that increase injustice and distortion of facts.