بنية القصة القصيرة عند محمود الريماوي

This study attempts to present a picture comparable to Mahmoud AL- Rimawi’s experience in short story, by investigating his narrative scene components, multiple and extended dimensions of vision which included his artistic experience, in a way that showed easy language and performance in the narrative sentence carrying real details. His experience formed the narrative scene consisting of daily life passing, marginal, secret and hidden components of human relations, with a high capability to capture the event and troubled human model. It also touched the human being’s latent feelings of sorrow, alienation, criticism, fragmentation and injustice, besides capturing human romantic moments and passing the text code which is combined with daily normal details of weak formal and marginal human models neglected by literature. These models are drawn in an unspecific location frame and ambig nous in their details in a way that they do not conform with the human situation depicted by the narrator.