الرمز وتمثلاته في الفن العراقي القديم

The current research is to study the code and Tmthelath in the old Iraqi art (Sumerian art a model), is the art of the oldest human letters that he used helped him in his struggle with nature. Since the origination first art was a tool and a means to control the nature and subject to his will so as to ensure his permanence and survival, and create a state of coexistence in this world full of dangers, Vlju man to invent symbols of the gods worshiped, and embodied in the forms of (human, animal and plant and vehicle), did not come out the scope of nature and give intellectual dimensions may exceed that range, and was baptized into reformulated to reflect Anhawitlaim living with his need. There is no doubt that the value of knowledge for the Arts، and the need emerged with human consciousness to reflect the cultures through what is highlighted through Ntegadtha pillar, that of all the arts (sculpture, photography,..) relate to each other and relate to all of connotations the general culture of the era. an‎d it included search four chapters: - Chapter One contained Aly1- research problem, 2. importance of research and the need for the 0.3-goal Find.4 definition of terms. The second chapter the theoretical framework of four sections: - The first was in art and function of the second section: - originated Avatar concept code has been contained, and the third section - the concept of the symbol of some philosophers, The third chapter included the Ajrouat search, and then the fourth quarter included the search results the proposals and recommendations, also included research on the sources and margins.