چكيده لاتين :
This paper tries to apply Harold Bloom's theory of influence to Anglo-American literary relations. To achieve
this, it has first outlined and then applied Bloom's six ratios which characterize literary relationships to the
dialectic between American literature and English literature, between American and English writers. These ratios
include: Clinamen, which suggests a process of swerving' from the precursor; tessera which intimates a
reversionary movement of completion of the precursor; kenosis, which indicates an emptying of the self in
relation to the precursor; daemonization, which implies the extraction, countering, and celebration of an
alien, though present, element in the precursor; askesis, which denotes an effort of self-purgation aimed at
attaining a sacred solitude against the precursor; and, finally apophrades, which depicts an uncanny return of
the precursor, for now the mature latecomer seems, strangely enough, the true author of the precursor's
characteristic works.The paper also shows that all American writers have been affected by the English and
European traditions and by the American tradition as well. Though the general tendency is to deny any such
influence, some poets are ready to acknowledge their indebtedness. Along the way, some poets may choose not
to join in this battle against the literary precursors and instead, look backward to established European and
English models. Ironically, such writers have not been able to achieve great fame for, according to Bloom, a
strong poet should embrace the task of sinning against the precursor whereas the weak or minor poet skirts
the issue of his literary belatedness by accepting the influence of prior canonical masters within the sanctioned
literary tradition.
