اشكالية التذوق والتلقي في فنون ما بعد الحداثة (الفن المفاهيمي) انموذجا

The present study deals with the problem of taste and reception in postmodern art. The research was divided into four categories, and the objective of the research was to study the mechanism of taste and reception in postmodern art. The limits of research were limited to the following: temporal boundaries (1980-2010), spatial boundaries (Europe), objective boundaries: different materials and methods of subtraction used.