نظرية الشكل في رسوم المستشرقين

The Current Research Deals With, The Impact Of The Shape Theory In Drawings Of The Orientalists, That Poses From An Aesthetic Phenomenon Filled An Important Place In The Tracer Form Of Public Discourse Plastic an‎d Drawings Of The Orientalists In Particular. The Basis Of Aesthetic Vision, an‎d This Research Includes Four Chapters, The First Chapter Has Interested In The Methodological Form Of The Research Represented By The Problem Of Research Identified Study (Shape an‎d Dimensions Of Cognitive an‎d Formative an‎d Remember In Drawings Of The Orientalists) an‎d Confine Search To Find The Relationship Between The Pillars The Shape Theory In Drawings Of The Orientalists Of The Year (1865 -1900) From The Displacement Of Painters To The East In The Golden Their Time, an‎d The Adoption Of The Descriptive Approach Within The Philosophical an‎d Aesthetic Vision. The Second Chapter Consisted Theoretical Form, Which Included Three Sections Address The First Topic Shape Theory an‎d General Concepts The Second Topic Dealt With Orientalism an‎d Its Objectives an‎d The Third On The Arab Aesthetic Components In The Environment Of Drawings Of The Orientalists. The Third Chapter, Which Included The Research Community an‎d The Research Sample an‎d Analysis Of Samples Of (4) Plates. The Fourth Chapter Has Included The Search Results, Which Came From The Expressive Content an‎d Ideas Inspired Creative Way Reflect The Aesthetic Vision Of The Capabilities Of Technical Knowledge Combined With A Coherent an‎d Harmonious Relations In The Artwork Orientalist. Conclusions an‎d Came To Show The Possibilities Of Achieving The Objectives Of The Research an‎d The Researcher Worked Hard Remembrance Of The Recommendations an‎d Proposals, Followed By The List Of Sources an‎d Formats.