في التناص الصوفي تناصية الحيرة في أغاني مهيار الدمشقي

Firstly, the concept of scruple in Sufism code uncovers its incorporeal load and purges it from impurities ascribed to it by theological, scholarly, and philosophical applications. Secondly, it clarifies the forms manipulated in Adonis' anthology Songs of Mahyar the Damascene, demonstrating how Adonis has regenerated the Sufi discourse and recomposed its component parts, shedding light on transformation processes and methods of application which govern the relationship between the present text and its silent counterpart, calling for both to be intertwined in a complex textual relation resulting from contexts of engagement, collision, and dialogue, and what it boils down to by way of meaning and power of radiance motivating the reading activity .