مكانية صورة البحر في الخيال الشعري الفلسطيني المعاصر مقاربة سيميائية، ظاهراتية

Sea, as a space, is so present in Palestinian contemporary poetry, but what strikes my attention is the potential hidden behind the sea. It is itself a space for poétic contemplations that search for the meaning of homeland through dialectical dichotomy: The land and the exile. Space is closely related to all the spacial forms waves, ports, boats, gull, sails… and elements to exit the homeland, all that is stuck in the collective memory, and the imaginative poetic images of leaving and adventure towards the unknown. Still, it stands forever as a sign for looking forward to return. It has stored all the hopes and wishes of the exiled whose return to the homeland has been an eternel concern. Based on the elements mentioned above, I chose to search for the meaningfulness of the sea in Palestinian contemporary poetry of space and beauty as a perspective of such image as a poetic case. This perspective forms a symbolic phenomena and an iconic level to its imagery in poetic text. More over, it has become a model to several representative objects closely related to the land ,exile and return. In this study I have been guided by the systemic cultural approach of yuri « Lothman» and the phenomenological concepts of « Gaston Bachelard» and «Christine Dupouy» and others. In what concens the global structure of the discourse within the image under research, The analysis first targeted the study of space elements linked to the sea as a space for contemplation; then the study of elements structuring the poetic imagination through the concepts of modelization, that linked the space of the sea standing for exile, land, home, migration, nostalgy return, and all principal allusions that poets have strongly used in the exile imagination