چكيده لاتين :
Writing the Quran, in relation to Islamic art and civilization is very wide and deep meaning not only the evolution of the line and its Khshnvysy but other elements such as illumination, color and pattern, paper, binding, and binding.is necessary. In the meantime, the Safavid Qur an because of layout, illumination, diversity of motifs and painting, Quran are precious and valuable. Main focus of this research is to design the Quranic manuscripts and image values, would be involved in all areas. All aspects of art and technology used in the Quranic manuscripts like, principles of layout and composition of decorative plates and arrays have been studied.
Severe not writing and not writing has been on the hunger and thirst.
Overall developments in the art of illustration in the Safavid era can be traced more easily. In the first decade of this century, the style of Turkmen in illumination, gradually gave way to a new style, a mix of Turkmen and Timurid art was.
Th e creation of the Quran ornaments can be divided into several sections, the visual elements that the concept is not in writing, for example, Tshyr, illumination, arabesques, Imam Hussein, Shms•h, bergamot, bergamot, bergamot half, the inscription, the tablet, Lachak, lasso, knots, Trsy illumination, and color table mentioned that all these elements and practices in the visual structure and the linear Quran exquisite aesthetics are important.
Features illuminated indicator at the bottom of the Safavid period dark blue and red and other colors dramatic increase application forms until color was secondary, often at the same time somewhat pompous tone is lively and joyful. But rather selective and specific combination of blue and gold still preferred by some artists. Aside from the color, everything was related to arabesque. Timurid less sacred elements used for testing and care are not chapters, and little by little it removed. Both of these features in the Safavid period belonged to a past that was speeding away.a. During this period, no real equivalent for full pages of book illumination of the Mamluk and Mongolian not be found.
Th e structures forming in the opening pages, middle, and last copies of the Quran, the used signs and conceptual elements that direct contact is directly with written text, for example, the chapter, marked the end of signs, symbols, punctuation, spacing between lines, margins , annotation, tenth and fifth, part of the bow that can be used in conception and read and understand the Quran have an undeniable impact.
In the Safavid era, the manuscripts in Iran have found perfection and sustainable practices and principles will find their own. Great calligraphers line versions that have excelled in this era of multiple Quran able to perfect the line of Persian manuscripts, like Aladdin Tabrizi, Mohammad Hashim Lulu, Mr. Mohammad Sadiq and Mr Ebrahim Qomi said that Sally has been writing Tuesday Quran. His master s Safavid Mirza Ahmad Neyriz is the largest manuscript draft. Ahmad Neyriz of the largest developers copies Garbvd day.
