Author/Authors :
arseven, tülin akdeniz üniversitesi - eğitim fakültesi - türk dili ve edebiyatı eğitimi anabilim dalı, Turkey
Abstract :
It is undeniable fact that in many respects there is a relationship between literature and the other branches of the arts. In our literature this situation is sometimes questioned by some communities or artists. Garip Ekol s opposition to the interpenetration of literature with music and art or Ahmet Haşim s idea that poem is closer to music than lyrics, are good examples of this. In this study, a kind of relationship between painting from the plastic arts and literature from the phonetic arts is emphasized. As an term art; pentimento s effects on literary works are scrutinized. In this context, firstly the meaning of pentimento is explained through the help of the relevant literature. Then, Lillian Hellman, who has had a large role in adding the term pentimento to both art and literary s agenda by giving this term as a title to her book including her memories, and her book is in part employed in this study. Then the term pentimento s loaded meanings in Turkish literature is opened for discussion. Firstly, the use of the term pentimento, which is an important keyword in the postmodern tissue of fiction in İnci Aral s novel New Lie Times (Yeni Yalan Zamanlar), is considered. Finally, two important poet s poems, which stirred interest in recent Turkish poetry, Seyhan Erözçelik s poem book Pentimento and Orhan Alkaya s Pentimento poem in the book entitled “Falls of History Volume I” (Yenilgiler Tarihi Cilt I), are emphasized. After scanning the sources that are accessed concerning this subject and analyzing the documents and works the results are given.
NaturalLanguageKeyword :
Pentimento , Seyhan Erözçelik , Orhan Alkaya , İnci Aral , Lillian Hellman
