مرکز منطقه ای اطلاع رساني علوم و فناوري - AN ANALYSIS ABOUTH ICONOGRAPHİC AND SEMBOLIC MEANİNG OF PERPECT MAN (İNSAN-I KÂMİL) CALLİGRAPHY OR PİCTURE

Abstract :

The belief, thinking, worship of Bektasi which developed in Anatolian and Balkans for centuries, reflected to it’s believers clothing and goods like lots of literogical and daily use objects. This reflection shows itself in the figures and calligraphies which is attributed to importance and installed symbolic meanings of Bektashi. İnsan-ı Kâmil (Perfect Man) depictions are separated from the others in terms of the meanings they contain which is religious, containing different topics, people or stories depicted in the figures and calligraphies. This is mainly because the positioning of the figures used in and the composition scheme, “to take control of hands, waist, tongue” summarized the concept of good manners or rule. At the same time the depictions of İnsan-ı Kâmil (Perfect Man) reflect the traces of other heterodox Islamic beliefs, to show that the order in which interact with in terms of beliefs or separated from others. In this study the multi-layered meanings and reflect the traces of which beliefs and communities of pictures of İnsan-ı Kâmil (Perfect Man) take into account previous studies and iconographic figures used in the compositions, considering the symbolic meanings of tried to be solved.