MAX WEBER S TYPOLOGY AUTHORİTY IN THE CONTEXT THE LAST EMPEROR, GANDHİ AND LİNCOLN MOVİES UPON, SOCİOLOGİCAL ATTEMPT A GLANCE

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Cinema, the masses all over the world since the end of the nineteenth century continues to offer a magical world. Enthusiasts almost mesmerized himself suffering, setting the world has to offer them pleasant moments of cinema holds a mirror to society that go through from time to time. In this context, the cinema also offers different perspectives on social life. This one is from the perspective of sociology, social life reflected on the cinema screen allow a better understanding. Lumière brothers invented the cinematograph in 1895, began the trip in France the silver screen, in a short time have influenced the entire world and it has a profound impact on the masses. Twenty films developed with each passing day since the first years of the century, the journey begins strengthening and increasing the impact of nearly a century ago continues unabated. All over the world which surrounds such a network, attracted the attention of the masses and curiosity always so prevalent / cinema with an effective strength, is often performed examination naturally by the various disciplines of the social sciences. Sociology, comes one of the most examiner discipline of cinema. This article renowned German sociologist Max Weber in the context of someone who has authority typologies important concept gained sociology The Last Emperor, Gandhi and Lincoln tackles the movies. Weber s typology of authority, reflected in said article aims to show all three feature films, from the sociological data to be obtained by content analysis will be limited to interpretation

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Cinema , Sociology , Sociology of Religion , Max Weber , the Authority Typology

Celal Bayar University Journal Of Social Sciences

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Celal Bayar University Journal Of Social Sciences