Author/Authors
KAPLANOĞLU, Lütfü Atatürk üniversitesi - Güzel Sanatlar Fakültesi - Resim Bölümü, Turkey
Title Of Article
TIME AND SYNCHRONICITY IN PAINTING
شماره ركورد
38393
Abstract
Since Einstein proposed the theory of relativity in 1905, physicists have recognized the existence of fourt dimensions on the world. Three dimensions in the world of matter, that is, width, length, and depth, together with ‘time’, which is regarded to be the fourth dimension, maintain the relations among all beings in the nature. Before this theory was proposed, X-Ray lights had been discovered, J.C.F Zöllner had conveyed examples from American prophet Andrew Jackson Davis’ life which he integrated the fourth dimension with, Charles Leadbeater had communicated the existence of the fourth dimension to his readers and supported his opinions suggesting them to read Hinton’s book. Pablo Picasso presented the first virtual four-dimension figure of Cubism when he painted his work Les Demoiselles d Avignon. When he displayed four dimensions on a two-dimension plane, he benefited from mathematician Princet’s view of geometry of multiple dimensions and photographs with space and multi-flash successive shots taken by French physicist Etienne Jules Marey and American Edward Muybridge.
From Page
65
NaturalLanguageKeyword
relativity , time , dimension , synchronicity , Art , Cubism
JournalTitle
Journal Of Fine Arts
To Page
74
JournalTitle
Journal Of Fine Arts
Link To Document