Abstract :
Born in Augsburg, Germany in 1926, Schneider -Siemssen is a set designer. With new perspective in set design he made many people talk about him. He became a name that preferred by many grand art directors. Herbert von Karajan, Otto Schenk, August Everding, Peter Üstinov, Günther Renne are among them. These directors who he Works with, always keep his art at an upper level of quality. His contemporary designer’s effort to meet with his viewpoint while today’s designers taking him as a reference. Caspar Neher ve Teo Otto who was also his student are among the set designer who he was influenced by. Schneider-Siemssen reflects the development in science and technology on his art. While technological formation can be a weapon for fighting power, it becomes a delighted artistic material at his art and turns into beautiful brush strokes. To say “He is an artist of a certain style or trend” would not be correct. Because the technique and style he performs are variable in respect of the time period and the text. In general he creates his design for Opera and Balley. His theatre Scenic was performed in colorful extraordinary images. He considers the platform as a whole. Besides synergy of writer-player-designer he also acknowledges interaction of arts. His designs were displayed many parts of the World’s such as Austria, Poland, and German: Sweden, Holland, England, Frankreich: USA, Italian, West Africa, Israel. His art were considered as Classic by the authorities and certified.
