ALBAYRAK, Ahmet Erciyes Üniversitesi - Güzel Sanatlar Fakültesi - Resim Bölümü, Turkey

SUFFERING BODY THEORIES AT THE PALETTES OF SEVILLE, FREUD, BACON and TUYMANS

38399

The only source that the art cannot abandon is of course the human body as quantitative and qualitative form. We have seen that the axis of the body as a phenomenon of contemporary art is at a very different approach and the body concept is converted and interpreted dynamically at first in painting discipline through the other art discipline. Variety of technical facilities and the ability of easiness to use these possibilities in information age changed the shell of the art and new art forms were born. But the traditional materials like paint, canvas, brush as a classic set of methods and tools provide evidence to the body with a contemporary language for making strong re-attributions. Lucian Freud, Francis Bacon painting of a figure not lose freshness like the previous generation of two important artists, the body of the concepts of alienation and becoming otherness rise to the upper platform, the new generation of radical both the name of the painting Jenny Seville and Luc Tuymans, the body takes a more radical trauma. This situation certainly brings other innovations to the surface of painting but more importantly a suffering and mysterious thesis emerges associated with the human body of daily life.

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Painting , Jenny Seville , Luc Tuymans , Francis Bacon , Lucian Freud

Journal Of Fine Arts

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