• DocumentCode
    1791766
  • Title

    The Deep Film Access Project: Ontology and metadata design for digital film production assets

  • Author

    Atkinson, Sarah ; Lehmann, Jos ; Evans, Roger

  • Author_Institution
    Art, Design & Media, Univ. of Brighton, Brighton, UK
  • fYear
    2014
  • fDate
    27-30 Oct. 2014
  • Firstpage
    1
  • Lastpage
    4
  • Abstract
    The Deep Film Access Project (DFAP) aims to unlock latent opportunities that exist within the big and complex data sets generated by industrial digital film production. The project is developing a methodology for the integration of the data and metadata generated through film production, by capturing, archiving and making accessible the diverse range and levels of expertise which exist within filmmaking. As a proof-of-principle, the project uses the entire corpus of Sally Potter´s 2012 film, Ginger & Rosa, providing an emblematic example of an industrial digital feature film production in contemporary Britain which features the work of a number of renowned and prolific practitioners in the UK and international film industry. Our initial focus is on a case-study of materials associated with a single scene from the film.
  • Keywords
    Big Data; cinematography; data integration; meta data; ontologies (artificial intelligence); Big Data; DFAP; Ginger & Rosa; UK; complex data sets; contemporary Britain; data integration; deep film access project; digital film production assets; filmmaking; industrial digital feature film production; international film industry; metadata design; ontology; Educational institutions; Films; Industries; Media; Ontologies; Production; digital asset management; digital filmmaking; film archiving; film metadata; ontological design;
  • fLanguage
    English
  • Publisher
    ieee
  • Conference_Titel
    Big Data (Big Data), 2014 IEEE International Conference on
  • Conference_Location
    Washington, DC
  • Type

    conf

  • DOI
    10.1109/BigData.2014.7004445
  • Filename
    7004445