DocumentCode
1960457
Title
Notice of Retraction
Research about application layers of traditional cultures on product design
Author
Linxin Zheng
Author_Institution
Sch. of Art & Design, Zhejiang Univ. of Sci. & Technol., Hangzhou, China
Volume
2
fYear
2010
fDate
17-19 Nov. 2010
Firstpage
1128
Lastpage
1130
Abstract
Notice of Retraction
After careful and considered review of the content of this paper by a duly constituted expert committee, this paper has been found to be in violation of IEEE´s Publication Principles.
We hereby retract the content of this paper. Reasonable effort should be made to remove all past references to this paper.
The presenting author of this paper has the option to appeal this decision by contacting TPII@ieee.org.
Traditional cultures could be taken as ideas resource by Chinese designers. A concept was put forward in this paper that the application of traditional cultures in product design could be divided into three layers. From outer to inner, the first layer is the direct application of traditional cultural visual icons on design. The second layer is reflecting Chinese manners and ways of thinking and the influences and functions on designs. The third layer is reflecting traditional philosophy and values of Chinese. Several design examples were presented to support this concept which could benefit Chinese industrial designers.
After careful and considered review of the content of this paper by a duly constituted expert committee, this paper has been found to be in violation of IEEE´s Publication Principles.
We hereby retract the content of this paper. Reasonable effort should be made to remove all past references to this paper.
The presenting author of this paper has the option to appeal this decision by contacting TPII@ieee.org.
Traditional cultures could be taken as ideas resource by Chinese designers. A concept was put forward in this paper that the application of traditional cultures in product design could be divided into three layers. From outer to inner, the first layer is the direct application of traditional cultural visual icons on design. The second layer is reflecting Chinese manners and ways of thinking and the influences and functions on designs. The third layer is reflecting traditional philosophy and values of Chinese. Several design examples were presented to support this concept which could benefit Chinese industrial designers.
Keywords
art; cultural aspects; history; product design; Chinese industrial designers; product design; traditional cultural visual icons; traditional philosophy; Analytical models; Educational institutions; Europe; application layer; product design; traditional culture;
fLanguage
English
Publisher
ieee
Conference_Titel
Computer-Aided Industrial Design & Conceptual Design (CAIDCD), 2010 IEEE 11th International Conference on
Conference_Location
Yiwu
Print_ISBN
978-1-4244-7973-3
Type
conf
DOI
10.1109/CAIDCD.2010.5681859
Filename
5681859
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