• DocumentCode
    2054006
  • Title

    Ancestral Forces in Contemporary Indigenous Australian Women´s Art: 3 Case Studies of Multi-dimensional Cultural Heritage Knowledge

  • Author

    Marquis, Jenefer ; Wyeld, Theodor

  • Author_Institution
    Flinders Univ., Adelaide, SA, Australia
  • fYear
    2010
  • fDate
    26-29 July 2010
  • Firstpage
    391
  • Lastpage
    396
  • Abstract
    The transition from ephemeral, ceremonial art to more permanent acrylic-on-board paintings has made Australian Aboriginal art more accessible to the public than ever before. However, early examples contained secret/sacred motifs and stories - knowledge recorded in the paintings that was normally only made available to initiates. In turn, this prompted contemporary Australian Aboriginal artists to hide, camouflage or remove the sensitive material from their work. It is only recently, through inter-gender and inter-cultural collaborations between contemporary Indigenous Australian artists and non-indigenous ethnographers and anthropologists, that the full ramifications of this transition is becoming apparent. This paper discusses 3 case studies where the traditional expression of Kuruwarri, or Ancestral power, has been transformed through contemporary Australian Aboriginal women´s art.
  • Keywords
    art; Australian Aboriginal art; ancestral forces; contemporary indigenous Australian women art; inter-cultural collaborations; multidimensional cultural heritage knowledge; permanent acrylic-on-board paintings; Art; Communities; Context; Cultural differences; Force; Painting; Skin; culture; heritage; knowledge; secret/sacred;
  • fLanguage
    English
  • Publisher
    ieee
  • Conference_Titel
    Information Visualisation (IV), 2010 14th International Conference
  • Conference_Location
    London
  • ISSN
    1550-6037
  • Print_ISBN
    978-1-4244-7846-0
  • Type

    conf

  • DOI
    10.1109/IV.2010.60
  • Filename
    5571220