DocumentCode :
2054006
Title :
Ancestral Forces in Contemporary Indigenous Australian Women´s Art: 3 Case Studies of Multi-dimensional Cultural Heritage Knowledge
Author :
Marquis, Jenefer ; Wyeld, Theodor
Author_Institution :
Flinders Univ., Adelaide, SA, Australia
fYear :
2010
fDate :
26-29 July 2010
Firstpage :
391
Lastpage :
396
Abstract :
The transition from ephemeral, ceremonial art to more permanent acrylic-on-board paintings has made Australian Aboriginal art more accessible to the public than ever before. However, early examples contained secret/sacred motifs and stories - knowledge recorded in the paintings that was normally only made available to initiates. In turn, this prompted contemporary Australian Aboriginal artists to hide, camouflage or remove the sensitive material from their work. It is only recently, through inter-gender and inter-cultural collaborations between contemporary Indigenous Australian artists and non-indigenous ethnographers and anthropologists, that the full ramifications of this transition is becoming apparent. This paper discusses 3 case studies where the traditional expression of Kuruwarri, or Ancestral power, has been transformed through contemporary Australian Aboriginal women´s art.
Keywords :
art; Australian Aboriginal art; ancestral forces; contemporary indigenous Australian women art; inter-cultural collaborations; multidimensional cultural heritage knowledge; permanent acrylic-on-board paintings; Art; Communities; Context; Cultural differences; Force; Painting; Skin; culture; heritage; knowledge; secret/sacred;
fLanguage :
English
Publisher :
ieee
Conference_Titel :
Information Visualisation (IV), 2010 14th International Conference
Conference_Location :
London
ISSN :
1550-6037
Print_ISBN :
978-1-4244-7846-0
Type :
conf
DOI :
10.1109/IV.2010.60
Filename :
5571220
Link To Document :
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