DocumentCode
2054006
Title
Ancestral Forces in Contemporary Indigenous Australian Women´s Art: 3 Case Studies of Multi-dimensional Cultural Heritage Knowledge
Author
Marquis, Jenefer ; Wyeld, Theodor
Author_Institution
Flinders Univ., Adelaide, SA, Australia
fYear
2010
fDate
26-29 July 2010
Firstpage
391
Lastpage
396
Abstract
The transition from ephemeral, ceremonial art to more permanent acrylic-on-board paintings has made Australian Aboriginal art more accessible to the public than ever before. However, early examples contained secret/sacred motifs and stories - knowledge recorded in the paintings that was normally only made available to initiates. In turn, this prompted contemporary Australian Aboriginal artists to hide, camouflage or remove the sensitive material from their work. It is only recently, through inter-gender and inter-cultural collaborations between contemporary Indigenous Australian artists and non-indigenous ethnographers and anthropologists, that the full ramifications of this transition is becoming apparent. This paper discusses 3 case studies where the traditional expression of Kuruwarri, or Ancestral power, has been transformed through contemporary Australian Aboriginal women´s art.
Keywords
art; Australian Aboriginal art; ancestral forces; contemporary indigenous Australian women art; inter-cultural collaborations; multidimensional cultural heritage knowledge; permanent acrylic-on-board paintings; Art; Communities; Context; Cultural differences; Force; Painting; Skin; culture; heritage; knowledge; secret/sacred;
fLanguage
English
Publisher
ieee
Conference_Titel
Information Visualisation (IV), 2010 14th International Conference
Conference_Location
London
ISSN
1550-6037
Print_ISBN
978-1-4244-7846-0
Type
conf
DOI
10.1109/IV.2010.60
Filename
5571220
Link To Document