DocumentCode
2075072
Title
Cultural symbols in furniture design: A research on the evolution path of Ming furniture’s molding design
Author
Liu, Xianbo
Author_Institution
Sch. of Art Design, Hubei Univ. of Technol., China
fYear
2008
fDate
22-25 Nov. 2008
Firstpage
738
Lastpage
742
Abstract
Ming furniture marks the peak in the design history of traditional Chinese furniture. The present article attempts to explore the reasons leading to the gradual changes in the molding design of Ming furniture, with the role that "four-side flushed" construction once played in the molding of Ming furniture and the process in which it was replaced by "recessed waist" construction as the focus of this study. An analysis of the practical and aesthetic needs of the times shows that aesthetic orientation as affected by the general cultural environment has been the driving force behind the selection of design molds of Ming furniture. Such a realization will help us to create new classics in contemporary furniture design by taking full advantage of cultural factors.
Keywords
furniture; moulding; product design; Chinese furniture; Ming furniture molding design; cultural factors; four-side flushed construction; furniture design; Art; Cultural differences; History; Leg; Manufacturing; Culture and Design; Furniture Design; Ming Furniture; Molding Design;
fLanguage
English
Publisher
ieee
Conference_Titel
Computer-Aided Industrial Design and Conceptual Design, 2008. CAID/CD 2008. 9th International Conference on
Conference_Location
Kunming
Print_ISBN
978-1-4244-3290-5
Electronic_ISBN
978-1-4244-3291-2
Type
conf
DOI
10.1109/CAIDCD.2008.4730670
Filename
4730670
Link To Document