• DocumentCode
    2075072
  • Title

    Cultural symbols in furniture design: A research on the evolution path of Ming furniture’s molding design

  • Author

    Liu, Xianbo

  • Author_Institution
    Sch. of Art Design, Hubei Univ. of Technol., China
  • fYear
    2008
  • fDate
    22-25 Nov. 2008
  • Firstpage
    738
  • Lastpage
    742
  • Abstract
    Ming furniture marks the peak in the design history of traditional Chinese furniture. The present article attempts to explore the reasons leading to the gradual changes in the molding design of Ming furniture, with the role that "four-side flushed" construction once played in the molding of Ming furniture and the process in which it was replaced by "recessed waist" construction as the focus of this study. An analysis of the practical and aesthetic needs of the times shows that aesthetic orientation as affected by the general cultural environment has been the driving force behind the selection of design molds of Ming furniture. Such a realization will help us to create new classics in contemporary furniture design by taking full advantage of cultural factors.
  • Keywords
    furniture; moulding; product design; Chinese furniture; Ming furniture molding design; cultural factors; four-side flushed construction; furniture design; Art; Cultural differences; History; Leg; Manufacturing; Culture and Design; Furniture Design; Ming Furniture; Molding Design;
  • fLanguage
    English
  • Publisher
    ieee
  • Conference_Titel
    Computer-Aided Industrial Design and Conceptual Design, 2008. CAID/CD 2008. 9th International Conference on
  • Conference_Location
    Kunming
  • Print_ISBN
    978-1-4244-3290-5
  • Electronic_ISBN
    978-1-4244-3291-2
  • Type

    conf

  • DOI
    10.1109/CAIDCD.2008.4730670
  • Filename
    4730670