• DocumentCode
    2309471
  • Title

    ESCHER-modeling and performing composed instruments in real-time

  • Author

    Wanderley, Marcelo M. ; Schnell, Norbert ; Rovan, Joseph

  • Author_Institution
    Ircam, Paris, France
  • Volume
    2
  • fYear
    1998
  • fDate
    11-14 Oct 1998
  • Firstpage
    1080
  • Abstract
    This article presents ESCHER, a sound synthesis environment based on Ircam´s real-time audio environment jMax. ESCHER is a modular system providing synthesis-independent prototyping of gesturally-controlled instruments by means of parameter interpolation. The system divides into two components: gestural controller and synthesis engine. Mapping between components takes place on two independent levels, coupled by an intermediate abstract parameter layer. This separation allows a flexible choice of controllers and/or sound synthesis methods
  • Keywords
    electronic music; humanities; real-time systems; signal synthesis; ESCHER; Ircam audio environment; gestural controller; jMax; modular system; music; parameter interpolation; real-time system; sound synthesis; Acoustic applications; Control system synthesis; Engines; Guidelines; Instruments; Interpolation; Keyboards; Prototypes; Real time systems; Vocabulary;
  • fLanguage
    English
  • Publisher
    ieee
  • Conference_Titel
    Systems, Man, and Cybernetics, 1998. 1998 IEEE International Conference on
  • Conference_Location
    San Diego, CA
  • ISSN
    1062-922X
  • Print_ISBN
    0-7803-4778-1
  • Type

    conf

  • DOI
    10.1109/ICSMC.1998.727836
  • Filename
    727836