Title :
"Cho-Shi" Animation Based on Traditional Chinese Handmade Paper Texture
Author :
Zhang YanXiang ; Yang Chunyong ; Abassin, Fangbemi ; Takayama, Natsuki ; Meng, Shunbing ; Takahashi, Hiroki
Author_Institution :
Dept. of Sci. Commun., Univ. of Sci. & Technol. of China, Hefei, China
Abstract :
"Cho-Shi" is one form of Japanese carving art. It is a technique that uses a composition of papers of different colors with a certain thickness to carve, and produce concave and convex shapes while expressing colors. This form of art makes a two dimensional picture take a three-dimensional structure, giving an experience which is different from the traditional picture. However, because "Cho-Shi" has a complex structure, and its production steps are complicated, it requires producer to have some knowledge of art and time. The authors proposed a computer-aided "Cho-Shi" system, which outputs paper layers and mask for carving, according to images [1]. This greatly simplifies the complexity of carving and shortens the carving time. This paper extends the method to generate animation. Moreover, Chinese traditional hand-made paper textures are applied for the animation to express a novel form and this paper tries to fuse Japanese and Chinese art works, essentially, it tries to fuse old and new styles of media.
Keywords :
art; computer animation; Chinese art works; Cho-Shi animation; Japanese art works; Japanese carving art; computer-aided Cho-Shi system; three-dimensional structure; traditional Chinese handmade paper texture; two dimensional picture; Animation; Art; Educational institutions; Image color analysis; Materials; Production; Shape; "Cho-Shi"; "Cho-Shi" animation; Chinese culture; Chinese handmade paper; Japanese culture; MEL program in Maya;
Conference_Titel :
Culture and Computing (Culture Computing), 2011 Second International Conference on
Conference_Location :
Kyoto
Print_ISBN :
978-1-4577-1593-8
DOI :
10.1109/Culture-Computing.2011.63