• DocumentCode
    3179028
  • Title

    Overview of the commuted piano synthesis technique

  • Author

    Smith, Julius O., III ; Van Duyne, Scott A.

  • Author_Institution
    Dept. of Music, Stanford Univ., CA, USA
  • fYear
    1995
  • fDate
    15-18 Oct 1995
  • Firstpage
    226
  • Lastpage
    229
  • Abstract
    The “commuted piano synthesis” algorithm is described, based on a simplified acoustic model of the piano. The model includes multiple coupled strings, a nonlinear hammer, and a linear enclosure model (including the soundboard) which can have arbitrarily large order. Simplifications are employed which greatly reduce computational complexity. Most of the simplifications are made possible by the commutation of linear, time-invariant systems. However, special care must be given to the piano hammer which is highly nonlinear and therefore does not commute with other components. In its present form, a complete, two-key piano can be synthesized in real time on a single 25 MHz Motorola DSP56001 signal processing chip
  • Keywords
    acoustic signal processing; digital signal processing chips; electronic music; music; musical instruments; signal synthesis; 25 MHz; Motorola DSP56001 signal processing chip; acoustic model; commuted piano synthesis algorithm; commuted piano synthesis technique; computational complexity reduction; linear enclosure model; linear time-invariant systems; multiple coupled strings; nonlinear hammer; soundboard; two-key piano; Acoustics; Commutation; Computational complexity; Couplings; Digital filters; Instruments; Music; Nonlinear filters; Signal processing algorithms; Signal synthesis;
  • fLanguage
    English
  • Publisher
    ieee
  • Conference_Titel
    Applications of Signal Processing to Audio and Acoustics, 1995., IEEE ASSP Workshop on
  • Conference_Location
    New Paltz, NY
  • Print_ISBN
    0-7803-3064-1
  • Type

    conf

  • DOI
    10.1109/ASPAA.1995.482996
  • Filename
    482996