DocumentCode
3179028
Title
Overview of the commuted piano synthesis technique
Author
Smith, Julius O., III ; Van Duyne, Scott A.
Author_Institution
Dept. of Music, Stanford Univ., CA, USA
fYear
1995
fDate
15-18 Oct 1995
Firstpage
226
Lastpage
229
Abstract
The “commuted piano synthesis” algorithm is described, based on a simplified acoustic model of the piano. The model includes multiple coupled strings, a nonlinear hammer, and a linear enclosure model (including the soundboard) which can have arbitrarily large order. Simplifications are employed which greatly reduce computational complexity. Most of the simplifications are made possible by the commutation of linear, time-invariant systems. However, special care must be given to the piano hammer which is highly nonlinear and therefore does not commute with other components. In its present form, a complete, two-key piano can be synthesized in real time on a single 25 MHz Motorola DSP56001 signal processing chip
Keywords
acoustic signal processing; digital signal processing chips; electronic music; music; musical instruments; signal synthesis; 25 MHz; Motorola DSP56001 signal processing chip; acoustic model; commuted piano synthesis algorithm; commuted piano synthesis technique; computational complexity reduction; linear enclosure model; linear time-invariant systems; multiple coupled strings; nonlinear hammer; soundboard; two-key piano; Acoustics; Commutation; Computational complexity; Couplings; Digital filters; Instruments; Music; Nonlinear filters; Signal processing algorithms; Signal synthesis;
fLanguage
English
Publisher
ieee
Conference_Titel
Applications of Signal Processing to Audio and Acoustics, 1995., IEEE ASSP Workshop on
Conference_Location
New Paltz, NY
Print_ISBN
0-7803-3064-1
Type
conf
DOI
10.1109/ASPAA.1995.482996
Filename
482996
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