DocumentCode :
3273173
Title :
Digital-primitive art research: animation permeates centuries-old rawhides
Author :
Tan, LiQin
Author_Institution :
Dept. of Fine Arts, Rutgers Univ., NJ, USA
fYear :
2004
fDate :
14-16 July 2004
Firstpage :
959
Lastpage :
962
Abstract :
This work provides a brief introduction and an inspection of my "Digital-Primitive Art" series of artwork and research in 2004. The visual creations of "Digital-Primitive Art" consist of 3D animation/modeling images that are digitalized on centuries-old rawhides, parchments and natural wood, as well as being projected onto both sides of rawhides through video projectors. It offers new dialogue among old and new technologies; early and modern American spiritualities, ephemeral and timeless art forms, and digital and primitive art significations. Artistic perception and technical comprehension are twin brothers in the digital animation family. They mutually accelerate the expansion of computer animation. Maintaining equilibrium among electronic and primitive spirituality, digital technology and ethno-technology is a focus in this art exploration.
Keywords :
art; computer animation; 3D animation images; 3D modeling images; art exploration; art significations; artistic perception; computer animation; digital animation; digital art; digital-primitive art research; ephemeral art forms; ethno-technology; primitive art; timeless art forms; visual creations; Acceleration; Animation; Digital art; Earth; Focusing; Inspection; Printers; Raw materials; Shape; Subspace constraints;
fLanguage :
English
Publisher :
ieee
Conference_Titel :
Information Visualisation, 2004. IV 2004. Proceedings. Eighth International Conference on
ISSN :
1093-9547
Print_ISBN :
0-7695-2177-0
Type :
conf
DOI :
10.1109/IV.2004.1320257
Filename :
1320257
Link To Document :
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