• DocumentCode
    3537924
  • Title

    Doing good by the “bad boy”: Performing George Antheil’s Ballet mécanique with robots

  • Author

    Lehrman, Paul D. ; Singer, Eric

  • Author_Institution
    Dept. of Music, Tufts Univ., Medford, MA
  • fYear
    2008
  • fDate
    10-11 Nov. 2008
  • Firstpage
    13
  • Lastpage
    18
  • Abstract
    The Ballet mecanique by George Antheil (1900-1959) was a musical composition far ahead of its time. Written in 1924, it called for an unusual set of instruments and sound effects, as well as technology that did not exist: multiple synchronized player pianos. Not until 1999, with the aid of computers and MIDI, could the piece be performed the way the composer envisioned it. Since then, it has been played over 20 times by ensembles in North America and Europe. But its most unusual performance was the result of a collaboration between the authors: the music technologist most responsible for the piecepsilas revival and an expert in musical robotics. At the request of the National Gallery of Art in Washington, DC, they built a completely automated 27-piece orchestra, which played the piece nearly 100 times, without a failure. The automated orchestra has since been installed in a museum in Miami, Florida, and was part of a theatrical presentation in New York City.
  • Keywords
    music; musical instruments; robots; Ballet mecanique; automated 27-piece orchestra; musical composition; musical robotics; Airplanes; Art; Cities and towns; Collaboration; Europe; Instruments; North America; Propulsion; Robotics and automation; Robots;
  • fLanguage
    English
  • Publisher
    ieee
  • Conference_Titel
    Technologies for Practical Robot Applications, 2008. TePRA 2008. IEEE International Conference on
  • Conference_Location
    Woburn, MA
  • Print_ISBN
    978-1-4244-2791-8
  • Electronic_ISBN
    978-1-4244-2792-5
  • Type

    conf

  • DOI
    10.1109/TEPRA.2008.4686665
  • Filename
    4686665