DocumentCode
3713059
Title
The acoustic and auditory performances of the three Thai level tones
Author
Peng Qin
Author_Institution
School of Literature, Nankai University, Tianjin, China
fYear
2015
Firstpage
177
Lastpage
180
Abstract
This study offered a preliminary look at the acoustic and auditory performances in an isolated monosyllable environment of the three level tones (i.e. High, Mid and Low tones) in Thai via several relevant acoustic and perception experiments. The results show that Mid tone is the only one which can be accepted as a level tone either in production or in perception and Low tone has two main variants: low-level tone and low-falling tone. But it is quite questionable to continue to take High tone as a level tone because “level” as a sound feature cannot be pronounced and identified as a typical feature of High tone. A High tone is actually a “mid -high-level” tone. Also, the movement of contour is very important when perceiving High tone.
Keywords
"Shape","Market research","Synthesizers","Production","Auditory system","Arrays"
Publisher
ieee
Conference_Titel
Oriental COCOSDA held jointly with 2015 Conference on Asian Spoken Language Research and Evaluation (O-COCOSDA/CASLRE), 2015 International Conference
Type
conf
DOI
10.1109/ICSDA.2015.7357887
Filename
7357887
Link To Document