• DocumentCode
    787668
  • Title

    Computer Vision, Image Analysis, and Master Art: Part 2

  • Author

    Stork, David G. ; Johnson, Micah K.

  • Author_Institution
    Ricoh Innovations, Menlo Park, CA
  • Volume
    13
  • Issue
    4
  • fYear
    2006
  • Firstpage
    12
  • Lastpage
    17
  • Abstract
    We can determine if some photographs have been doctored and then invalidate it as proof that two people were in the same place at the same time. But how true is realist art? In this second article of a three-part series, we describe how they have adapted techniques of forensic analysis of digital images to analyze paintings. By examining light and shadows they uncover what techniques the artist used to render scenes more ´realistic,´ shedding even more light on problems in art history
  • Keywords
    art; computer vision; rendering (computer graphics); computer vision; forensic analysis; image analysis; master art; painting analysis; rendering; Art; Computer vision; Digital images; Forensics; Image analysis; Image edge detection; Layout; Lighting; Painting; Subspace constraints; David Hockney; Georges de la Tour; computer systems; computer vision and image analysis; illumination; optical projections;
  • fLanguage
    English
  • Journal_Title
    MultiMedia, IEEE
  • Publisher
    ieee
  • ISSN
    1070-986X
  • Type

    jour

  • DOI
    10.1109/MMUL.2006.78
  • Filename
    1709835