• DocumentCode
    937923
  • Title

    Electronic Music

  • Author

    Caine, Hugh Le

  • Author_Institution
    Radio and Elect. Engrg. Div., National Res. Council of Canada, Ottawa, Can.
  • Volume
    44
  • Issue
    4
  • fYear
    1956
  • fDate
    4/1/1956 12:00:00 AM
  • Firstpage
    457
  • Lastpage
    478
  • Abstract
    The three attributes of musical sound, pitch, loudness and timbre, are discussed in relation to their counterparts in an electrical signal, frequency, amplitude and harmonic spectrum. Although electrical devices can control these quantities simply according to the explicit instructions contained in written music, that is, to provide the "bare essentials" of a musical performance, it is more difficult to produce the complex patterns of frequency, amplitude and harmonic spectrum actually found in a musical performance on well known instruments. Control of the build up and decay of each note, arbitrary deviations of pitch, vibrato of varying rates and amounts, and a "choir effect" of random pattern of beats are required. Various means of achieving these effects are discussed, first in the electronic organ and then in various "monophonic" or single-note instruments. Finally, coded-performance of "synthetic music" devices are described, including those used by the Musique Concrete Group of Paris, and the Cologne Studio for Electronic Music.
  • Keywords
    Concrete; Design engineering; Ear; Electric variables control; Electronic music; Frequency measurement; Harmonic analysis; Instruments; Teeth; Timbre;
  • fLanguage
    English
  • Journal_Title
    Proceedings of the IRE
  • Publisher
    ieee
  • ISSN
    0096-8390
  • Type

    jour

  • DOI
    10.1109/JRPROC.1956.274925
  • Filename
    4052036