DocumentCode
937923
Title
Electronic Music
Author
Caine, Hugh Le
Author_Institution
Radio and Elect. Engrg. Div., National Res. Council of Canada, Ottawa, Can.
Volume
44
Issue
4
fYear
1956
fDate
4/1/1956 12:00:00 AM
Firstpage
457
Lastpage
478
Abstract
The three attributes of musical sound, pitch, loudness and timbre, are discussed in relation to their counterparts in an electrical signal, frequency, amplitude and harmonic spectrum. Although electrical devices can control these quantities simply according to the explicit instructions contained in written music, that is, to provide the "bare essentials" of a musical performance, it is more difficult to produce the complex patterns of frequency, amplitude and harmonic spectrum actually found in a musical performance on well known instruments. Control of the build up and decay of each note, arbitrary deviations of pitch, vibrato of varying rates and amounts, and a "choir effect" of random pattern of beats are required. Various means of achieving these effects are discussed, first in the electronic organ and then in various "monophonic" or single-note instruments. Finally, coded-performance of "synthetic music" devices are described, including those used by the Musique Concrete Group of Paris, and the Cologne Studio for Electronic Music.
Keywords
Concrete; Design engineering; Ear; Electric variables control; Electronic music; Frequency measurement; Harmonic analysis; Instruments; Teeth; Timbre;
fLanguage
English
Journal_Title
Proceedings of the IRE
Publisher
ieee
ISSN
0096-8390
Type
jour
DOI
10.1109/JRPROC.1956.274925
Filename
4052036
Link To Document