كليدواژه :
رديف و قافيه , وزن شعر , كاركرد عروضي , حاجب
چكيده فارسي :
يكي از اصلي ترين و مهم ترين كاركردهاي رديف كه انطباق واژه ها و كلمات گونه گون با قوافي متعدد و سازگار ساختن آن ها با برخي بحور است، تا به اكنون مورد تحليل و بررسي قرار نگرفته است. به عبارت ديگر، رديف غالبا گونه اي آزادي به واژه قافيه مي بخشد، آزادي اي كه به سبب آن، كلمه قافيه در سراسر زنجيره موسيقايي مصرع دوم و حتي تا نزديك به صدر آن مي تواند حركت كند. بر پايه همين كاركرد رديف، واژه هايي كه از لحاظ وزن عروضي به عنوان قافيه در بحري خاص نمي توانند استفاده گردند، به جلو رانده مي شوند تا در جايگاهي كه منطبق با عروض مصراع هستند، قرار گيرند. مثلا كلمات (جهان، روان ، جوان، و...) در بحر متقارب مثمن سالم (بدون رديف يا حروف وصل و خروج و نايره) در جايگاه قافيه نمي توانند قرار گيرند، به همين سبب است كه با آوردن يك «ي» و يا «را» و امثال آن در پس اين كلمات مي توان از اين واژه ها در جايگاه قافيه در اين بحر استفاده كرد. با نگاهي اجمالي به آثار شاعران دوره هاي نخستين شعر فارسي، مي توان دريافت كه در شمار قابل توجهي از اشعار، رديف به منزله اهرمي است كه واژه هاي قافيه را به حركت در مي آورد تا آن-ها را با برخي بحور سازگار نمايد. در اين تحقيق به بررسي اجمالي همين كاركرد مهم و اساسي رديف پرداخته شده و نشان داده شده است حتي در غزل هاي كوتاه كه نيازي نيز به قوافي بسيار در آن ها وجود نداشته، باز هم براي سازگاري كلمات قافيه جديد با بحور متفاوت از رديف استفاده شده است.
چكيده لاتين :
One of the single most important functions of the row that compliance words and different words with different rhymes and to provide them with some prosodies, up to now not been investigated. in other words, Row gives the freedom to the word rhyme, Freedoms that because of it, the word across the continuum of musical rhyme and even closer to the beginning of the second line can move it.
According to the same function row, Words that rhyme in poetry as in specific prisody can not be used, Pushed to the position corresponding to the prosody they are. For example, words (Jahan, Ravan, Javan, and ...) in the prosody of Motagharaeb mosamman salem, (without row or letters of Vasl, Khorooj, Nayereh ) can be placed in the position of not rhyme, This is because by bringing an "ÇáÝ" or "ÑÇ" and so on, so the words can be used in place of the words rhyme in this prosody.
A cursory examination of the first period of Persian poetry with poets, we can see that in a lot of the lyrics, which serves as the anchor row Rhyming words and moves to reconcile them with some prosodies. Today, about one of the unique characteristics of Persian poetry, the "row" is far more extensive studies have been conducted. Nearly all of the same basic structure and formal aspects of the research and statistics Court orders and sometimes musical poet or poets row in particular, is formed.
In this article, we briefly discussed the basic functions row and shown even in the short lyrics that rhyme do not need to be in there, Again, to accommodate new rhyming words with different prosodies of the row is used.
Row, the unique characteristics of Persian poetry diverse functions that some of these functions has been paid. Those like Shafiee Kadkani role in Ghana row up music lyrics as well as the current row nominal or specifically in creating new virtual verbs and metaphors and images looked new.
The main reason for the emergence of rows in Persian poetry, prosodic function that has already been paid less. I just found something in the book Ghosn al-ban to be weak, the owner of the book, had no comments to this row. In this study attempted a new approach to the row, another reason for the entry and spread and extent of the row of Persian poetry, is shown. It should also be noted that in these lines as much as possible to engage in repetitive and stereotyped point of the row, has been avoided.
