پديد آورندگان :
بهنام، مينا دانشگاه فردوسي مشهد , قوام، ابوالقاسم دانشگاه فردوسي مشهد , تقوي، محمد دانشگاه فردوسي مشهد , هاشمي، محمد رضا دانشگاه فردوسي مشهد
چكيده فارسي :
ادبيات به عنوان رسانه‌اي كلامي كه داراي شخصيت هاي انساني است، سرشار از نشانه‌هاي غيركلامي از جمله علايم زبان بدن است. كاربرد اين زبان دلالي در غزليات شمس قابل توجه است. مولوي در اين اثر اغلب از باب حفظ حريم و قداست شخصيت به ويژه شمس تبريزي حركات وي را در موقعيت هاي مختلف با استفاده از زبان بدن به نحوي رمزگونه به تصوير كشيده كه با تأمل در آن مي‌توان واكنش گوينده را به مخاطب دريافت و با رويكردي گفتماني جايگاه، موضع و احساس او را نسبت به وي تعيين كرد. بر اين اساس در اين تحقيق نشانه هاي غيركلامي به اقسام ديداري، آوايي و علايم مربوط به فاصله بدني تقسيم و طيف معنايي و بسامد تكرار هر يك، با در نظر داشتن بافت غزل مولوي مشخص شده است. برآيند تجزيه و تحليل داده‌هاي پژوهش نشان مي‌دهد كه مولوي در غزل تنها شاعري درون‌گرا نيست و از مقولات بيروني از جمله علايم زبان بدن و گزارش آن‌ها در متن غزليات شمس نيز غافل نمانده است؛ و شايد بتوان همين توجه مولوي را نيز معلول دل‌مشغولي و درون نگري وي يا ترجيح حكم باطن بر ظاهر دانست كه همچنان ميل و علاقه شديد به ديدار يار و توصيف اين مسأله از دغدغه‌هاي فكري مولوي چه در قلمرو امور باطني و ايجاد ارتباط بين مسايل ديداري با امور انتزاعي و چه در علايم زبان بدن محسوب مي‌شود.
چكيده لاتين :
Literature as a verbal medium containing human characters is full of non verbal signs such as body language. Use of this indicational language in the Shams's sonnets is considerable. Mowlavi in this work, mostly for preserving sanctum of character, specially Shams, has described his gestures in various position, utilizing of body language in symbolic way. So, taking care of them, one can understand the response of addresser into addressee and assess his place and sense into him on the basis of discourse approach.
This article consists of an introduction and three parts. Introduction and the part of problem statement involves defining the problem, questions, hypotheses and background of research. After introduction, the theoretical basis for research has been mentioned. In this section, we discussed non-verbal signs and body language, researchers’ ideas about the role of body language in literature and kinds of nonverbal signs. Then we spoke about methods of applying body language. For this purpose, non-verbal signs including a kind of visual, phonetic and symptoms related to the physical distance have been studied and then semantic range and frequency of repetition of each item have been determined. Main part of this article is dedicated to analyzing the data obtained from ghazals. At this stage of the research, studying the body language of Shams’s ghazals, different movements and the meaning of each, every effects related to the body language approach has been collected based on author’s linguistic talent. Then the list of gestures and their meanings, in terms of semiotics, has been prepared. It is to be said that due to the multiplicity of samples and the limitations of paper, just some examples of usage of body language in Mowlavi's verses has been analyzed. To learn more about that, readers can see final notes listed. In the next stage, by drawing a diagram, the frequencies of these signs used in the context and other research findings have been evaluated.
The data analysis showed that Mowlavi in his ghazals is not only an introvert poet, but has used external issues such as body language signs and reports in the context of Shams’s ghazals. Perhaps, it can be said that this itself is due to his concern and his desire to prefer inwards to outwards.
