تطبيق درون مايه هاي استعلايي ادبيات امرسون و سعدي

A COMPARISON of Emerson and Sa’adi’s transcendental literature themes

در ميان آثاري كه شرق شناسان نوزده به ربان و ادبيات اروپا ترجمه و معرفي كرده اند آثار سعدي جايگاه ويژه اي دارند. رالف والدو امرسون شاعر استعلاگراي امريكايي نيز كه از طريق هيمن ترجمه ها با آثار سعدي آشنا شده است. بسياري از باورهاي عارفانه و لاهوتي خود را در يعدي باز مي بيند. ا. كه مادي گرايي وظاهر پرستي زمانه خود را نمي پسندد شيفته انديشه هاي سعدي و نگاه شرقي او به واقعيت زندگي مي شود. و اين شيفتگي را مي توان در نظم و نثر امرسون بازخواند. مقاله حاضر بر آن است تا با نگاهي تطبيقي به آثار سعدي و امرسون به مضامين و درون مايه هاي عرفاني و استعلايي مشترك برسد كه دل مشغولي دو شاعر از دو فرهنگ و دو ادبيات متفاوت و دور از هم بوده اند. اين مايه هايي چون شهودٰ- روح-نفس - عبادت -تسليم رضا كه همه و همه به تكرار در شعر و نثر سعدي وامرسون آمد هاند. عناصر اصلي فلسفه استعلايي امرسون و نيز انديشه هاي عارفانه سعدي شيرازند

Abstract Among the works that the orientalists in nineteenth-century have translated and introduced into the European language and literature, Saadi's works have a special place. Ralph Waldo Emerson, the transcendental American poet that has been familiar with the works of Saadi through these translations, has found so many mystical and divine beliefs of his own in them. He who doesn’t like the materialism and SUPERFICIALITY of his time, has been distracted by thoughts of Saadi and his oriental look to the fact of life, and this fascination can be discovered in Emerson's poetry and prose. With a comparative look at Saadi and Emerson’s works, this paper is to achieve common mystical and transcendental themes that were the concerns of both poets from two different cultures and literatures that have been far apart. Motif such as intuition, spirit, soul, worship, surrender and satisfaction, that all have repeatedly come in the prose and poetry of Saadi and Emerson, are the principle elements of Emerson's transcendental philosophy and the mystical ideas of Saadi Shirazi.