پديد آورندگان :
گله داري، اعظم دانشگاه آزاد بوشهر - زبان و ادبيات فارسي , حميدي، جعفر دانشگاه آزاد بوشهر - زبان و ادبيات فارسي , اردلاني، شمس الحاجيه دانشگاه آزاد بوشهر - زبان و ادبيات فارسي
كليدواژه :
اقبال لاهوري , موسيقي دروني , جاويدنامه , تكرار
چكيده فارسي :
شاعران همواره تلاش كرده‌اند تا با به‌كارگيري عناصر ادبي، مفهوم موردنظر خود را به شكلي آراسته و مؤثر به مخاطب منتقل كنند. يكي از عناصري كه همواره در شعر -چه سنتي و چه نو- مورد‌توجه شاعران بوده، عنصر تكرار است. در اين جستار سعي شده‌است كاركرد عنصر تكرار، كه محور اساسي موسيقي دروني است، در شعر جاويدنامۀ اقبال لاهوري بررسي شود. اين پژوهش در پي پاسخ به اين سؤال است كه شاعر به چه شيوه از اين صنعت استفاده كرده و تا چه حد در استفاده از آن درجهت انتقال مفهوم موردنظر خويش موفق بوده‌است؟ شيوۀ پژوهش توصيفي-تحليلي و شيوۀ جمع‌‌آوري داده‌ها كتابخانه‌اي است. در اين پژوهش با تقسيم تكرار به دو نوع مرئي و نامرئي به بررسي نمودهاي اين دو شيوه و نيز كاركرد آن در شعر اقبال لاهوري پرداخته شده‌است. ازجمله كاركردهاي برجستۀ تكرار در جاويدنامه، تأثير اين عنصر در تقويت موسيقي دروني و غناي آن است.
چكيده لاتين :
Introduction
Poets have always tried to convey their meaning to the audience in a formidable and effective manner by using literary elements. One of the elements that has always been paid attention to by poets in poetry, both traditional and new, is the element of repetition.
In this essay, it has been attempted to investigate the function of the element of repetition, which is the main axis of inner music, in the poem of Iqbal lahori’s book of eternity to determine to what extent this Persian poet of Urdu speaker has used this industry to express its meaning.
Shemisa sees the repetition as the third method in the rhetorical revision that creates the music of the word. in his view, Repetition appears in the form of repetition of words, repetition of syllable, word, commitment, repetition, repetition of a phrase or sentence in speech (a fresh look at the novels: 59-60). Kazazi also considers the repetition as vocabulary reverse in a way that does not render the words too expensive, coarse and uneven. Otherwise, it is not a repetition of an aesthetic tool, but a weakness and an abyss in speech. According to him, various types of repetition are rhyme rebuilding, initial rebuilding, canonization, hajib, Rad Al-Ajz ala sadr , coexistence and commitment (Badhi, Aesthetics of Persian Speech: 80-48). This research examines the repetition in two visible and invisible branches in Iqbal Lahori’s book of eternity in order to determine which types of repetitions (visible and invisible) are used more in the book of eternity. and also the repetition of which arrays was more of a poet's attention. and what is the purpose behind using the repetition element? and have these repetitions influenced the poet's intention?
- 2 Research Methodology
.the research method is Descriptive-analytic and data collection tool is library using snippet. In this study, by dividing the repetition into two visible and invisible types, we examine the symptoms of the two types of repetitions, the types of puns, the types of phonemes as invisible repetitions in the poetry, as well as the regular and irregular repetition methods throughout the verses as visible repetition symptoms. To do this, all the verses of the book of eternity were examined from this perspective and their representations were recorded in the snippet. In the end, the obtained information was also categorized and coded
