بنيان‌هاي روايتِ سينمايي از منظر پرواي وجود

The Origin of Cinematic Narratives from Viewpoint of Care of Being

هدف اين نوشته آشكار نمودن منشاء و بنيان­ هاي روايت سينمايي، يعني امكان­ها و ضرورت­هاي آن، است. روايت سينمايي به مثابه رفتار انسان ريشه در ذات و نحوۀ هستي انسان دارد و ضرورتاً برآمده از ذات انسان است. در اين مقاله از منظر پرواي وجود، يعني از منظر يكي از وجوه بنيادين انسان، و با راهنما قرار دادن نگرش كلي هايدگر به هستي به ماهو و هستيِ انسان و حقيقت يا ناپوشيدگي و با روشي توصيفي-تحليلي سعي در تبيين ضرورت­ها و امكان­هاي روايت به مثابه زبان، امكان­ها و ضرورت­هاي مونتاژ سينمايي بر مبناي حضور نامتعين و آموخته­ هاي انضمامي برآمده ­ايم، و در نهايت و پس از بررسي روايت از اين سه زاويه روشن خواهد گشت كه پرواي وجود به مثابه سرشت ذاتي انسان كه دغدغۀ حقيقت يا ناپوشيدگي موجود و وجود را دارد، و از آن رو كه باهم-بودن و لذا زبان به ماهو زبان، و نيز آموخته­ هاي انضمامي را ضرورت مي­بخشد، مبناي بروز رفتاري همچون روايت سينمايي در انسان است.

Aim of this article is to bring to light the grounds and the origins of film narratives, namely its possibilities and necessities. Film narratives as the work and behavior of human being is necessarily originated in and grounded on the essence and the mode of his Being. In this article from the viewpoint of care of Being, that is, one original characteristics of human beings, and regarding to Heidegger's general thought of Being as such, essence of human being, and truth or unconcealment, has been tried to explicate the necessities and the possibilities of narratives as language, the necessities and the possibilities of cinematic montage on the basis of indeterminate presence and concrete acquisitions. Finally, researching the narratives from these three viewpoints, it will be shown that the care of Being as the primordial essence of human beings that cares truth or unconcealment of entities and Being, is the origin and ground of film narratives as the human beings' behavior, that is, if the care of Being that necessitates Mitsein [being-with] and accordingly the language as such, and also necessitates concrete acquisitions which are essential in order for human being and other living beings to remain constantly as what they already are, was not the essence of human being then the cinematic montage and editing would not be possible at all