بررسي مفهوم فناپذيري دنيا در شعر حضرت علي(ع) براساس الگوي بدن مندي شناخت در نظريه معناشناسي شناختي

A Study in The World Mortality in Imam Ali’s (A.S) poetry (According to Corporeal Cognition in the Cognitive Semantics)

معناشناسي شناختي به رابطه ميان تجربه، شناخت تجسم يافته و معنا پرداخته و كاركرد تجربه هاي دريافتي انسان از جهان خارج و محيط اطراف را در فرآيند معناسازي مورد بررسي قرار مي دهد. يكي از مباني مهم در معناشناسي شناختي، الگوي بدن مندي شناخت است كه به موجب آن، تجربه هاي دريافتي بدن انسان به شكل گيري مفاهيمي شناختي در ذهن و جسميت يافتگي معاني شكل گرفته در آن منجر مي شود. يكي از مفاهيم پربسامد در شعر حضرت علي (ع) ، مفهوم فناي دنيوي است؛ بدين معنا كه دنيا محل قرار نيست، بلكه محل گذر است. بر اين اساس، اميرمومنان با كاربست طرح واره هاي تصويري حركتي و الگوهاي دوگانه آن (خطي – چرخشي) رابطه متناظري ميان مفهوم انتزاعي فناي دنيوي و طرح واره هاي يادشده برقرار كرده است. اين مهم با طرح انگاره هاي متعدد در قالب گزاره هايي تشبيهي، استعاري و كنايي در بافت معنايي شعر ايشان، نمود يافته است. اين پژوهش سعي دارد تا با كاربست الگوي بدن مندي شناخت، نقش طرح واره هاي حركتي به كار رفته در شعر آن حضرت را در انتقال مفهوم فناي دنيوي بررسي نمايد. حاصل اين پژوهش اين است كه كاربست طرح واره هاي تصويري حركتي در شعر اميرالمومنين از يك سو به جسميت يافتگي و عينيت بخشي مفهوم انتزاعي فناپذيري انجاميده و از سوي ديگر به تثبيت آن در ذهن مخاطب كمك كرده است.

Undoubtedly One of the most important issues that nowadays has particular importance in cognitive linguistics as one of the important branches of linguists, is the question of how to get meaning and semantic products, especially through the cognition and cognitive experiences that human get from his environment (the outside world). In this way, the human mind passes various and multiple processes from the time of receiving general and abstract concepts to delivering them in the form of objective and believable meanings. One of the Cognitive linguistic branches, which examines the substantiality-based process of abstract concepts, is the science of cognitive semantics and the body based in it. This pattern, by applying different visual schemes, results in the objectification of cognitive concepts. One of these schemes is dynamic scheme, in which the abstract concepts of the human get movement-based dimension in the form of cognitive experiences, which ultimately make it quite sensible and tangible for him to understand the mentioned concepts. One of the most frequent concepts in the of Imam Ali’s poetry (A.S) is the concept of mortality of the world and worldly life, which has been mentioned in various religious texts such as motifs for the induction of ascetic discourse; that is, the world is not place of inactivity but the place of passing. This article wants to study the World Mortality and the other(eternal) world according to theory of the corporeal cognition in Imam Ali’s poems (A.S). Finally, results of this article shows that he has used the Image-Motion schemes to express concept of the World Mortality and deterioration of the worldly blessings. Application of these schemes are leading to the better understanding and the more effective of his poetry means by reader. This ultimately lead to the abstract concept (World Mortality) being More acceptable and More believable to him.