كليدواژه :
بين النهرين , گيل گمش , كاسي ها , مفرغ هاي لرستان
چكيده فارسي :
اين مقاله به بررسي چگونگي شكل گيري مفرغ هاي لرستان و تاثير گيلگمش، اسطوره بين النهريني برآنها مي پردازد. بررسيها از اين آثار نشان مي دهد كه اين قوم در اين حرفه بسيار ماهر بوده و توانسته است با تاثيرپذيري از هنر هسايگانش، با هنرمندي و ظرافتي خاص در كار خود آنها را عرضه كنند. اين پژوهش به روش توصيفي- تحليلي با رويكرد تاريخ هنري ، و به شيوه گردآوري كتابخانه اي و ميداني به ارتباط مفرغ هاي لرستان با فرهنگ و اسطوره هاي بين النهرين پرداخته و دوران شكوفايي هنر لرستان را مورد بررسي قرار مي دهد. هدف از اين پژوهش جست و جوي نقش گيلگمش و ميزان تاثير آن بر مفرغ هاي لرستان است . يافته ها حاكي از اين است كه اجداد قوم لر يعني كاسي ها، با توجه به ويژگي هاي نژاديشان و مدت زماني كه بر بخشهايي از سرزمين هاي بين النهرين حكومت كرده اند، اين هنر را به اوج زيبايي خود رسانده اند. نتايج اين تحقيق ارتباط ديرينه كاسي ها با بابلي ها، سومريان و آشوريان را نشان مي دهد . و آثار به دست آمده بيانگر آن است كه نقش گيلگمش از اركان اصلي هنر مفرغ كاري لرستان محسوب مي شود.
چكيده لاتين :
Abstract: This paper examines the formation of Lorestan bronzes and the effect of Gilgamesh the Mesopotamian myth on the Lorestan art. Surveying of the outstanding examples of many bronzes from the BC centuries in Lorestan shows that these people have been highly skilled in this profession and have been able to present their neighbors' culture with a particular artistic and elegant work. This research uses a descriptive-analytical method with an art history approach to link the Lorestan bronzes with Mesopotamian culture and myths and examines the flourishing period of Lorestan art. The purpose of this research is to investigate the role of Gilgamesh and its impact on Lorestan bronzes. The findings indicate that the ancestors of the Lor people, namely, the Caicos, have brought this art to their peak, given their racial characteristics and the time they ruled parts of the Mesopotamian lands. The results of this research show the long-standing relationship between the Caice and the Babylonians, the Sumerians, and the Assyrians. Gilgamesh, who is no longer an alien myth, but is associated with this people and plays an important role in the household instruments and instruments of donation and is considered as the main pillar of the art of Lorestan's bronze work. The work of Lorestan is the result of simple works that represent several centuries of the material revolution of the farmer and warrior. This art peaked in the fourth millennium BC. The significance of Lorestan's bronze work of art, the transfer of arts and ancestral traditions, the transfer of concepts and common religious issues, and the expression of the laws that have been admirable, heartbroken, admirable and admirable for all the tribes of the horseback rider, warrior and farmer of the old world. The Casits, creaters of these bronze works, in many of their beliefs, were influenced by the Mesopotamian culture and imitated them. and since most of these works have been obtained from cemeteries, it has been argued that Lorestan's bronzes has religious and mythic aspects. For this reason, Gilgamesh has embraced the Mesopotamian hero as a worshiping element. Gilgamesh , who is is a conqueror of giants and supporter of humans and animals, is the symbol of Mesopotamian epic and Mesopotamian hero , they considered him as a semi God in Sumer, Babylonia and Assyria, and is considered to be one of the gods in Lorestan, and most of all worshiped. With regard to historical, artistic and archaeological evidence, it can be concluded that the prevalence of Gilgamesh's role on the Lorestan bronze objects shows the influence of Mesopotamian civilization. and the role of the Gilgamesh in Lorestan has been a symbol of power, courage and humanity and a symbol of respect for animals and salvation of the earthly and the heavenly times.
