شماره ركورد :
1082256
عنوان مقاله :
تجربه آموزشي طراحي عناصر معماري با نگاه «جزءِ كُلْ بين» (طراحي پنجره در تمرينات مقدماتي طراحي معماري)
عنوان به زبان ديگر :
Educational Experience of Architectural Elements Design With a holistic or “whole-driven component” approach Design Task: Window Design at 1st-year courses
پديد آورندگان :
خاكي قصر، آزاده دانشگاه شهيد بهشتي، تهران - دانشكده معماري و شهرسازي - گروه معماري , پورمهدي قائم مقامي، حسين دانشگاه شهيد بهشتي، تهران - دانشكده معماري و شهرسازي - گروه معماري
تعداد صفحه :
14
از صفحه :
81
تا صفحه :
94
كليدواژه :
طراحي عناصر معماري , زمينه , جزء كُلْ بين , چرخه جزء-كل-جزء , طراحي پنجره , آموزش معماري
چكيده فارسي :
تمركز بر طراحي عناصر معماري بدون توجه به كليت مكان استقرار آنها، امري ناقص و مواجه نمودن دانشجويان با فهم كل، پيچيده و داراي عوامل مداخله‌گر است. بنابراين نوشتار با پرسش از چگونگي ميانداري بين دو امر، زمينه‌اي قابل احاطه براي دانشجويان سال اولي را انتخاب مي‌نمايد تا در آن، دانشجويان به طراحي عناصر معماري بپردازند. اين نظر، با عنوان«جزء كل‌بين» در تمرين باز-طراحي پنجره سرسراي دانشكده معماري و شهرسازي شهيد بهشتي با دانشجويان درميان گذاشته شد كه در قالب تجربه ميداني و مطالعات كتابخانه‌اي خواهد آمد. يافته‌هاي تحقيق بيان مي‌كند كه نگاه «جزء كل‌بين»، از مبدا طراحي اجزاء آغاز مي‌شود و با نيم‌نگاهي به كل؛ به مقصد طراحي اجزاء ختم مي‌شود. چرخه غيرخطيِ جزء-كل-جزء، بيخ‌باز و قابل ارتقاست و امكان بازبيني كل و برگشت به اجزاء را در سطحي بالاتر دارد. مزيت تجربه اين نگاه آنست كه به مرور دانشجويان را، صاحبِ ذهنِ جامع‌نگر مي‌نمايد. همچنين نوآموزان را در جهت شناخت كليت قرارگيري عناصر و ارزش­هاي زمينه طراحي ياري مي‌رساند. آنها درمي‌يابند كه لزوماً نمي­بايست بيشترين مداخلات در زمينه انجام شود تا كارِ معمار ديده شود؛ بلكه فضيلت طرح او در اين است كه بر اساس تشخيص نيازها، سنجيده سخن بگويد و با نگاهي به فهمِ كلْ به طراحي و ادراكِ نقشِ اجزا بپردازد.
چكيده لاتين :
In architectural training, focusing solely on the design of architectural elements, regardless of the overall position of their deployment, is imperfect, and on the other hand, facing students with the design of components while considering the whole, is complex and has many interfering factors. The present research, with the question of how to interpose between these two demands, chooses a small, enabling environment for the first year students as the target group, in which students will design a number of architectural elements. This opinion was shared with the students as part of the "whole-driven component" through a rehearsal exercise - the design of the window of the facade of the faculty of Architecture and Urban Planning, Shahid Beheshti University- which will be presented as field studies in the form of an action research method in the present paper. Moreover, this study expresses the differentiating and shared stances of this approach with reference to experts’ opinions and studying the outlooks of the curriculum of the world's leading universities in the undergraduate level focusing on the first year. Findings of the research shows that the "whole-driven component" view starts from component design to whole scope and returns to small scope. Therefore, it has a way such as cycle, which is named component-whole-component cycle. The cycle is open-ended and risible. The benefit of the experience of this viewpoint is that it gradually turns students into holistic thinkers. It also causes novices to realize the values ​​of the context in order to comprehend the general placement of the elements and ultimately decide on them. They find that it is not necessary to make the most of the interventions in the context to make the architect’s work seen, but the virtue of his design is to speak succinctly and to the point on the basis of the diagnosis of needs, and to reflect on the role of components with regards to the whole. The degree of success in this view varies in different contexts and for different students, and it is necessary to apply the practice of different training styles tailored to the needs of different students through the use of the skills and experience of the instructors. In design with a full-blown, holistic perspective, the student faces a real context and architectural design is not shared with the student in a merely theoretical manner. Creativity in design is crucial in this regard wherein it is required in the form of simple but stimulating and sensible answers. Finally, it should be stated that the present paper agrees with the viewpoints of discourse change in relation to speaking of the whole for architectural novices, because if confined to present architectural elements that are limited in shape to the students of architecture, there would be little improvement in students' perception of the whole in design an‎d the architectural design would always stay within the bounds of designing mere architectural components such as walls, floors and ceilings.
سال انتشار :
1397
عنوان نشريه :
هنرهاي زيبا- معماري و شهرسازي
فايل PDF :
7675000
عنوان نشريه :
هنرهاي زيبا- معماري و شهرسازي
لينک به اين مدرک :
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