كليدواژه :
فضا , سكوت , نشانه - معنا شناسي , كليدر , جاي خالي سلوچ
چكيده فارسي :
نشانه ـ معناشناسي گفتمان در پي كشف روابطي است كه به توليد معنا منجر مي شوند. در فرايند زايشي گفتمان، سطحي ترين لايه با ژرف ترين لايه ارتباطي تنگاتنگ دارد. از جمله عناصر صوري گفتماني كه در زيريني ترين لايه ها به توليد معنا منجر مي شود، فضاست كه اخيراً در مطالعات ادبي مطرح شده است. سكوت غياب عنصر زباني در گفتمان است به نحوي كه نشانۀ چيزي باشد. اما همين عنصر غايب، به وسيلۀ عناصر ساختاري و متني در گفتمان تجلي مي يابند و در پس زمينۀ متن حاضر مي شوند. سكوت به عنوان عنصري دلالتگر، در ارتباط با عنصر متضاد خود يعني صدا دريافت
مي شود.
محمود دولت آبادي، نويسندۀ واقع گراي ايراني، يكي از داستان پردازان ادبيات اقليمي نيز هست و بر اين اساس، فضا در آثارش نقش بسزايي ايفا مي كند. به علاوه، با وجود جايگاه ويژۀ زبان در رمانهايش، سكوت نزد وي به عنوان عنصري معنا آفرين بروز مي يابد.
پژوهش حاضر، با هدف نشان دادنِ فرايند شكل گيري سكوت در كليدر و جاي خالي سلوچ و با تكيه بر رويكرد تنشي گفتمان و نشانه ـ معناشناسي فضا، سعي دارد سكوت را در برخي از
ساختهاي فضا بنيان اين دو رمان بررسي كند. در اين راستا، مطالعۀ رده هاي حسّي گفتمان، ميدان شنيداري و ارتباط آنها با تكوين سكوت در فضاها اجتناب ناپذير است. همچنين، بررسيها نشان
ميدهد كه ساختهاي گفتماني از اصل فرايند زايشي تبعيت مي كنند و فضاهاي هراس آلود و سياهي كه در لايۀ صوري اين دو رمان به تصوير كشيده شده، به دور از نقش ارجاعي صرف، در سطحي عميق تر ناظر به خفقان موجود در دورۀ هم عصر اين دو رمان، و در ژرفترين لايه ها، نشاندهندۀ زوال و مرگ است.
چكيده لاتين :
Semiotics of discourse aims to explore the underlying structure of meaning production. In generative process of discourse, the most superficial layer has a close relationship to the most profound layer. Space, that has recently get considerable attention in literary studies is one of the discursive figurative elements which results in the meaning in the underneath layers. As a result, the space converts into a sensible element.
Silence is the absence of any verbal element so that it is a sign of something. But this absent element has been manifested in discourse by structural and textual elements and it is present in text background. Silence as an indicative element is received by relating to its antithetic element, the sound. In addition, the silence makes sense whether it is a sign of something or an effect of a being which is postponed in a discursive context.
Mahmoud Dowlat-Abadi Iranian contemporary realistic author, is also one of the regional literature storyteller and based on this, space plays the crucial role in his works. In spite of the special place in his novels, silence appeals as a present and significance-producer element in his books. In Dowlat-Abaadi’s literary works, particularly in mentioned novels, imprisonment or stopping the converses, which is caused by thrill, phobia, respecting others, suffering, inability of talking or believing the power of unsaid words produces the silence. This matter connects the Dowlat-Abaadi’s text to a clear silence.
This research, while expressing the procedure of silence formation in Kelidar and missing -Solouch, seeks the presence and emergence of silence by the aspects of tensive and spatial semiotics in some of the spatial structures. In fact, considering the space not even as a referring element, it takes part in producing the meaning. This research is up to answer this fundamental question that how the space, that is a tangible and apparent element of converse, could produce the meaning at the deepest layers of the discourse and also could produce the silence in the present novels. On this basis, the study of sensorial orders of discourse, auditory sphere and also its relation with silence formation are not avoidable. Discourse structures have followed the generative process principle and fearful black room which have been portrayed in the simulative layer of two mentioned novels, which are indicatives of deterioration and death away from the only referential function in a more profound level controlling the asphyxiation existed in contemporary age of these two novels and in the most cavernous layers
