كليدواژه :
بحور عروضي , كليات شمس , سماع , زحافات عروضي
چكيده فارسي :
وزن در دﯾﻮان ﮐﺒﯿﺮ ﻏﺰﻟﯿﺎت ﻣﻮﻻﻧﺎ ﯾﮑﯽ از ﺑﺮﺟﺴﺘﻪﺗﺮﯾﻦ ﻧﮑﺎت ﺳﺒﮑﯽ ﻻﯾﻪ ﺑﻼﻏﯽ و ﻣﻮﺳﯿﻘﺎﯾﯽ ﺷﻌﺮ ﻣﻮﻻﻧﺎﺳﺖ. آﻣﯿﺨﺘﮕﯽ روح و ﺟﺎن ﻣﻮﻻﻧﺎ ﺑﺎ ﻣﻮﺳﯿﻘﯽ و ﺳﻤﺎع و درك ﻋﺎرﻓﺎﻧﮥ او از ﺳﻤﺎع دروﻧﯽ اﻧﺴﺎن و ﺳﻤﺎع ﮐﺎﺋﻨﺎت در ﻣﺴﯿﺮ » ﯾﺴﺒﺢ ﷲ ﻣﺎﻓﯽ اﻟﺴﻤﻮات و ﻣﺎﻓﯽ اﻻرض« ﻣﻮﺟﺐ ﺷﺪه اﺳﺖ ﺗﺎ اﯾﻦ
ﺣﺪ از ﺗﻨﻮع وزﻧﯽ و ﻧﺸﺎط وزﻧﯽ در اﺛﺮ وي اﻣﮑﺎن ﺟﻮﻻن داﺷﺘﻪ ﺑﺎﺷﺪ و ﺧﻮد را ﺑﻨﻤﺎﯾﺎﻧﺪ. ﻣﺘﻦ ﺣﺎﺿﺮ ﮐﻪ در ﺑﺎره ﺗﻨﻮع ﺑﺤﻮر ﻋﺮوﺿﯽ و زﯾﺒﺎﯾﯽﻫﺎ و ﺗﻨﺎﺳﺐ آن ﺑﺎ اﺣﻮاﻻت ﻣﻮﻻﻧﺎ در ﻏﺰﻟﯿﺎت ﺷﻤﺲ اﺳﺖ، ﻗﺴﻤﺘﯽ از ﺳﺨﻨﺮاﻧﯽ دﮐﺘﺮ ﻣﻈﺎﻫﺮ ﻣﺼﻔّﺎ در آﺧﺮﯾﻦ روز ﺑﺰرﮔﺪاﺷﺖ ﻣﻮﻻﻧﺎ در ﺗﺎﻻر ﮐﺘﺎﺑﺨﺎﻧﮥ ﻣﺮﮐﺰي داﻧﺸﮕﺎه ﺗﻬﺮان ، در ﭼﻬﺎرم دي ﻣﺎه 1352 اﺳﺖ ﮐﻪ ﭘﯿﺶﺗﺮ ﺑﺎ ﺟﺪولﻫﺎي ﻫﻔﺘﺎدﮔﺎﻧﮥ وزن ﻏﺰلﻫﺎ در ﻣﺠﻠﻪ راﻫﻨﻤﺎي ﮐﺘﺎب، ﺳﺎل ﻫﺠﺪﻫﻢ، ﺷﻤﺎرة 7-8-9 ﻣﻬﺮ،آﺑﺎن و آذرﻣﺎه 1354 ﺑﻪ ﭼﺎپ رﺳﯿﺪه ﺑﻮد. و ﮔﻮاه ﺻﺎدﻗﯽ ﺑﺮ ﭼﯿﺮهدﺳﺘﯽ آن ﺷﺎﻋﺮ ارﺟﻤﻨﺪ ﺑﺮ زواﯾﺎ و ﺧﺒﺎﯾﺎي ﻋﺮوض ﻓﺎرﺳﯽ و ﻋﺮﺑﯽ
اﺳﺖ. ﺑﺮاي ﺑﺰرﮔﺪاﺷﺖ ﯾﺎد آن اﺳﺘﺎدِ اﺳﺘﺎدان، ﭘﮋوﻫﺸﮕﺮ ﻓﺮﻫﯿﺨﺘﻪ و ﺑﯿﺶ از ﻫﻤﻪ ، ﺷﺎﻋﺮ ﺑﺰرگ ﻗﺼﯿﺪه و ﻣﺜﻨﻮي در روزﮔﺎر ﻣﺎ ، ﺑﺎ ﻟﻄﻒ اﺳﺘﺎد ﺳﺮﮐﺎر ﺧﺎﻧﻢ دﮐﺘﺮ اﻣﯿﺮﺑﺎﻧﻮﮐﺮﯾﻤﯽ ﻓﯿﺮوزﮐﻮﻫﯽ )ﻣﺼﻔﺎ( ﺑﺨﺸﯽ از آن ﺳﺨﻨﺮاﻧﯽ ﭘﺮ ارزش در اﯾﻦ ﺷﻤﺎره ﻣﺠﻠﻪ ﻣﻄﺎﻟﻌﺎت زﺑﺎﻧﯽ و ﺑﻼﻏﯽ ، ﺑﺪون ﮐﻤﺘﺮﯾﻦ ﺗﻐﯿﯿﺮي اﺟﺎزه بازچاپ گرفت
چكيده لاتين :
Rhythm, in Molana's great poetical sonnets, is one of the outstanding stylistic points in Molana's rhetoric and musical poems. His affinity with music and Samaa and his mystical appreciation of human internal Samaa as well as that in universe, resulted in such a variety in meters. The present text which is on meter and versification variety and its beauty and appropriateness with Molana's circumstances in Shams' sonnets, has been taken from Dr. Mazaher Mosaffa's lecture on Molana Commemoration in central library of Tehran University in 25 Dec. 1973. The lecture, along with 7 tables of sonnets' meters, was previously published in Rahnamaye Ketab (1975, Vols. 7-9) which truly witnesses his poetic dexterity on Farsi and Arabic versifications. To commemorate the most eminent prose and sonnet poet of our time, and with Dr. Amirbano Karimi Firouzkohi (Mosafa)'s attempt, a part of that valuable lecture is granted to be published here with no change.
