از ﺷﻌﺮ ﺗﺎ رواﯾﺖ ﺑﺎ اﺳﺘﺎد ﻣﻈﺎﻫﺮ ﻣﺼﻔﺎ ﻧﮕﺎﻫﯽ ﺑﻪ دﻓﺘﺮ ﻧﺴﺨﮥ اﻗﺪم

From Poetry to Narration with Mazaher Mosaffa: Taking a look at'The Proceedings' (Noskhe-ye Eghdam)

ﻣﻨﻈﻮﻣﻪﻫﺎ ﯾﺎ ﭼﺎرﭘﺎرهﻫﺎي ﻣﻈﺎﻫﺮ ﻣﺼﻔﺎ ﮐﻪ در دﻓﺘﺮ ﻧﺴﺨﮥ اﻗﺪم ﮔﺮد آﻣﺪه اﺳﺖ از ﭼﺸﻢاﻧﺪازﻫﺎي ﮔﻮﻧﻪﮔﻮﻧﯽ درﺧﻮر درﻧﮓ اﺳﺖ: ﺗﻌﺎﻣﻞ ﺟﺎﻧﺐ ﺷﺎﻋﺮاﻧﻪ ﺑﺎ وﺟﻪ رواﯾﯽ، رﻧﮓ رﻣﺎﻧﺘﯿﮏ، ﺳﺮﮔﺬﺷﺖﮔﻮﯾﯽ و ﮔﺬار در ﺧﺎﻃﺮات ﺧﺼﻮﺻﺎ ﯾﺎدﻫﺎي ﮐﻮدﮐﯽ، ﺟﻠﻮهﮔﺮي ﺗﺠﺮﺑﮥ ﺷﺨﺼﯽ و ﺗﻮﺻﯿﻒ ﺟﺰﺋﯿﺎت، ﺻﺒﻐﮥ اﻗﻠﯿﻤﯽ و ﺑﺎزﺗﺎب ﮔﺴﺘﺮدة ﻓﺮﻫﻨﮓ ﻋﺎﻣﻪ، ﮔﺬر از ﻓﺮديﺗﺮﯾﻦ رﻧﺞﻫﺎ ﺗﺎ دردﻫﺎي ﻣﻠﯽ و ﺣﺘﯽ زﺧﻢﻫﺎي ﺗﺎرﯾﺨﯽ اﯾﺮان، ﻧﻘﺶآﻓﺮﯾﻨﯽ ﺗﺪاﻋﯽ در دﮔﺮﮔﻮﻧﯽ ﻓﻀﺎﻫﺎ، ﻣﺨﺎﻃﺒﻪﻫﺎي ﻏﺮﯾﺐ از ﺧﻄﺎب ﺑﻪ ﮐﻮه ﺗﺎ آﯾﻨﻪ و ﺣﺘﯽ ﺑﺮادر دوﺳﺎﻟﻪاي ﮐﻪ ﭘﯿﺶ از ﺗﻮﻟﺪ ﺷﺎﻋﺮ درﮔﺬﺷﺖ اﻣﺎ ﻧﺎم و ﺷﻨﺎﺳﻨﺎﻣﻪ و ﺧﺎﻃﺮهاش را ﺑﻪ او ﺑﺨﺸﯿﺪ. اﯾﻦ ﻧﻮﺷﺘﺎر ﮐﻮﺷﺸﯽ اﺳﺖ ﺑﺮاي ﺷﻨﺎﺳﺎﻧﺪن اﯾﻦ ﻣﻨﻈﺮﻫﺎ ﻫﺮ ﭼﻨﺪ ﺑﻪ اﺟﻤﺎل؛ ﺑﺎ ﺗﮑﯿﻪ ﺑﺮ ﻧﻤﻮﻧﻪﻫﺎي ﺷﺎﺧﺺﺗﺮ و ﺑﻪوﯾﮋه ﺗﺎﮐﯿﺪ ﺑﺮ ﺟﺎﯾﮕﺎه اﯾﻦ دﻓﺘﺮ ﻣﺘﻔﺎوت در ﺷﻨﺎﺧﺘﻦ ﺟﻮاﻧﺒﯽ ﻣﻐﻔﻮل ﻣﺎﻧﺪه از ﺷﺎﻋﺮ.

Mazaher Mossafa’s poems or continuant couplets which are collected in ‘The Proceedings’ (Noskhe-ye Eghdam) are noteworthy from different perspectives: the interaction between the poetic side and narrative aspect; the romantic color; story-telling and the transition of memories, especially childhood ones; parading personal experiences and describing the details; climatic coloring and the reflection of the folklore, passing through the most personal agonies to national distress or even the historical injuries of Iran; the role of association in altering atmospheres; weird conversations, from addressing a mountain to addressing a mirror and even to addressing his two year old brother passed away before the birth of the poet but granted his name and memory and birth certificate to him. This piece of writing is an endeavor to pinpoint these perspectives, though in short, emphasizing the prominent cases, particularly focusing on the status of this distinct collection in order to recognize the unnoticed facets of the poet.