بررﺳﯽ و ﺗﺤﻠﯿﻞ ﺷﺨﺼﯿﺖ زن در ﺳﻪ اﺛﺮ ﺳﻨﺪﺑﺎد ﻧﺎﻣﻪ، ﺳﻤﮏ ﻋﯿﺎر و ﺑﺨﺘﯿﺎرﻧﺎﻣﻪ ﺑﺮ اﺳﺎس ﻧﻘﺪ زن ﮔﺮاﯾﺎﻧﻪ (ﻓﻤﯿﻨﯿﺴﺘﯽ)

Analyzing the Character of Female in Sendbad nameh, Samak-e-Ayar and Bakhtiar Nameh on the Basis of Feminist Criticism

زن و وﯾﮋﮔﯽﻫﺎي او از دﯾﺮ ﺑﺎز ﯾﮑﯽ از ﻣﻮﺿﻮﻋﺎﺗﯽ اﺳﺖ ﮐﻪ ﻣﻮرد ﺗﻮﺟﻪ ادﺑﺎ و ﺷﻌﺮا ﺑﻮده اﺳﺖ و ﮔﻮﯾﻨﺪﮔﺎن و ﻧﻮﯾﺴﻨﺪﮔﺎن ﺑﺴﯿﺎري ﺑﺎ در ﻧﻈﺮ ﮔﺮﻓﺘﻦ ﺟﻨﺒﻪﻫﺎي ﻣﺘﻔﺎوت وﺟﻮدي زن در اﯾﻦ ﺑﺎره ﻣﻄﺎﻟﺐ ﻣﺨﺘﻠﻔﯽ ﺑﯿﺎن ﮐﺮدهاﻧﺪ. آﺛﺎري ﭼﻮن ﺳﻤﮏ ﻋﯿﺎر، ﺑﺨﺘﯿﺎرﻧﺎﻣﻪ و ﺳﻨﺪﺑﺎدﻧﺎﻣﻪ از ﻣﺘﻮن ﻣﻨﺜﻮر ادب ﻏﻨﺎﯾﯽ اﺳﺖ ﮐﻪ ﻣﯽﺗﻮان زن را ﺑﻪ ﻋﻨﻮان ﯾﮑﯽ از ﺷﺨﺼﯿﺖﻫﺎي داﺳﺘﺎن ﻣﻮرد ﺗﺤﻠﯿﻞ و ﺑﺮرﺳﯽ ﻗﺮار داد. در اﯾﻦ ﻣﻘﺎﻟﻪ ﮐﻪ ﺑﻪ روش ﺗﻮﺻﯿﻔﯽ– ﺗﺤﻠﯿﻠﯽ اﻧﺠﺎم ﺷﺪه، ﺷﺨﺼﯿﺖ زن در اﯾﻦ ﺳﻪ داﺳﺘﺎن ﻋﺎﻣﯿﺎﻧﻪ ﺑﺮرﺳﯽ و ﺗﺤﻠﯿﻞ و ﻣﻘﺎﯾﺴﻪ ﺷﺪه اﺳﺖ. ﻧﺘﺎﯾﺞ ﺑﺮرﺳﯽﻫﺎ ﻧﺸﺎن ﻣﯽدﻫﺪ ﮐﻪ ﺑﻪ دﻟﯿﻞ ﺑﻬﺮهﮔﯿﺮي از ﺑﻦﻣﺎﯾﻪﻫﺎي ﻓﺮﻫﻨﮓ اﯾﺮاﻧﯽ، ﻧﮕﺮش ﻣﺜﺒﺖ ﺑﻪ زن در ﮐﺘﺎب ﺳﻤﮏ ﻋﯿﺎر ﺑﺴﯿﺎر ﺟﻠﻮهﮔﺮ اﺳﺖ. ﺑﺨﺘﯿﺎر ﻧﺎﻣﻪ در ﻣﺮﺗﺒﮥ ﺑﻌﺪي ﺑﺎ ﻧﻤﻮﻧﻪﻫﺎي ﻣﺘﻌﺎدل و ﻣﺜﺒﺖﺗﺮي از زﻧﺎن و ﺳﻨﺪﺑﺎد ﻧﺎﻣﻪ ﺑﻪ دﻟﯿﻞ ﺳﺎﯾﻪاﻓﮑﻨﯽ ﻓﺮﻫﻨﮓ و آﯾﯿﻦ هندو ﺑﺮ ﺟﺎﯾﮕﺎه زن، ﻧﮕﺮش ﻣﻨﻔﯽ ﺑﯿﺸﺘﺮي دارد.

The poets and men of letters have long been concerned with “woman” and its characteristics. Many narrators and authors have discussed this issue considering its different existential aspects. The works such as Samak-e-Ayar, Bakhtiar name and Sendbad nameh are the works in lyric literature which are written in prose and have analyzed “woman” as a character in tales. The present analytic – descriptive paper studied and compared “woman” in the aforementioned folk tales. The result showcased a positive attitude towards “woman” in Samak-e-Ayar because of enjoying Iranian Cultural themes. Secondly, Bakhtiar name contained more reasonable and positive instances. Finally, Sendbad nameh had a more negative attitude because of being shadowed by Hindu culture and tradition.