ﻧﻘﺪ زﯾﺒﺎﺷﻨﺎﺳﯽ ﺳﺎﺧﺘﺎر داﺳﺘﺎن روز ﭼﻬﺎرﺷﻨﺒﻪ ﻣﻨﻈﻮﻣﻪ ﻫﺸﺖ ﺑﻬﺸﺖ اﻣﯿﺮﺧﺴﺮو دﻫﻠﻮي

Structural Aesthetics Criticism of Story “Rooz-e 4Shanbe” from “Hasht Behesht” by Amir Khosrow Dehlavi

اﻣﯿﺮﺧﺴﺮو دﻫﻠﻮي از ﺷﺎﻋﺮان ﻗﺮن ﻫﻔﺘﻢ و ﻫﺸﺘﻢ اﺳﺖ ﮐﻪ ﺗﺤﺖﺗﺎﺛﯿﺮ ﻣﻨﻈﻮﻣﻪﻫﺎي ﭘﻨﺞﮔﺎﻧﮥ ﻧﻈﺎﻣﯽ، ﻣﻨﻈﻮﻣﻪﻫﺎﯾﯽ ﺳﺮوده اﺳﺖ. ﯾﮑﯽ از اﯾﻦ آﺛﺎر ﮐﻪ ﭘﻨﺠﻤﯿﻦ و آﺧﺮﯾﻦ ﻣﻨﻈﻮﻣﻪ او ﺑﻪ ﺷﻤﺎر ﻣﯽرود، ﻫﺸﺖﺑﻬﺸﺖ ﻧﺎم دارد ﮐﻪ ﺷﺎﻋﺮ ﺗﺤﺖ ﺗﺎﺛﯿﺮ ﻫﻔﺖ ﭘﯿﮑﺮ ﻧﻈﺎﻣﯽ آن را ﺳﺮوده اﺳﺖ.در اﯾﻦ ﻣﻨﻈﻮﻣﻪ، ﺑﻬﺮام ﮔﻮر داﺳﺘﺎن روز ﭼﻬﺎرﺷﻨﺒﻪ را ﮐﻪ داﺳﺘﺎن ﺷﻬﺮ ﺧﺎﻣﻮﺷﺎن اﺳﺖ، از زﺑﺎن ﺷﺎﻫﺰاده روﻣﯽ ﻣﯽﺷﻨﻮد. ﺷﺎﻋﺮ ﺗﻮاﻧﺴﺘﻪ اﺳﺖ ﺑﻪ ﺧﻮﺑﯽ اﯾﻦ داﺳﺘﺎن را ﺑﻪ ﺗﺼﻮﯾﺮ ﺑﮑﺸﺪ. اﯾﻦ ﭘﮋوﻫﺶ ﺑﺎ روﯾﮑﺮد زﯾﺒﺎﺷﻨﺎﺧﺘﯽ و ﺳﺎﺧﺘﺎري ﺑﻪ ﺗﺤﻠﯿﻞ اﯾﻦ داﺳﺘﺎن ﻏﻨﺎﯾﯽ ﭘﺮداﺧﺘﻪ اﺳﺖ. ﺑﺮاي اﯾﻦ ﻣﻨﻈﻮر ﻣﻬﻢﺗﺮﯾﻦ ﻋﻨﺎﺻﺮ ﺳﺎﺧﺘﺎري ﺷﻌﺮي اﯾﻦ داﺳﺘﺎن ﮐﻪ ﺷﺎﻣﻞ زﺑﺎن، ﻣﻮﺳﯿﻘﯽ و ﺗﺨﯿﻞ اﺳﺖ، واﮐﺎوي و ﺗﺤﻠﯿﻞ ﺷﺪه اﺳﺖ. ﻧﺘﺎﯾﺞ اﯾﻦ ﭘﮋوﻫﺶ ﻧﺸﺎن ﻣﯽدﻫﺪ ﮐﻪ ﺷﺎﻋﺮ در ﺑﺨﺶ زﺑﺎﻧﯽ ﺑﺎ ﺑﻪﮐﺎرﮔﯿﺮي واژهﻫﺎ و واجﻫﺎي ﺑﺮﮔﺰﯾﺪه، در ﺑﺨﺶ ﻣﻮﺳﯿﻘﯽ ﺑﺎ آوردن ﻗﺎﻓﯿﻪﻫﺎ و ردﯾﻒﻫﺎي ﻓﻌﻠﯽ و در ﺑﺨﺶ ﺗﺨﯿﻞ ﺑﺎ ﺑﻪﮐﺎرﮔﯿﺮي ﺗﺸﺒﯿﻪ و اﺳﺘﻌﺎرهﻫﺎي ﻣﺘﻨﺎﺳﺐ ﺑﺎﻋﺚ ﻫﺮ ﭼﻪ زﯾﺒﺎﺗﺮ ﺷﺪن اﯾﻦ داﺳﺘﺎن شده است

Amir Khosrow Dehlavi, is a poet of 7th and 8th centuries, who composed poetic stories impressed by Nezami`s” quintuple poetic”. One of them as his 5th and the last, named Hasht Behesht that means Seven Heaven has been written influenced by Nezami`s Haft Peykar. In the mentioned poetic story, Bahram-e Goor, listens to the story “Rooz-e 4shanbe” (Wednesday) which is the story of “Shahr-e Khamoushan” (the City of Silent People) told by the Roman princess. The poet has depicted the story properly. This research by aesthetic and structural approach, is intended for analyzing this story through consideration and analyzing the main structural elements included the language, the rhythm and the imagination. The consequences indicate that the poet by using selective words and phonemes in the language part, suitable rhymes in the rhythm part and accurate similes and metaphors in the imagination part, creates an admirable poetic story.