مطالعه ويژگي نقاشي‌هاي ديواري تمدن اژه اي(مينوسي، ميسني)

Study on the Properties Painting Between Aegean’s Civilization

مقاله پيش روي، مطالعه ويژگي نقاشي‌هاي تمدن هاي اژه اي1(مينوسي، ميسني) است. هدف اصلي، با استفاده از نظريه زيباشناختي در بخش هاي هنر- باستان شناسي، نشان دادن ويژگي هاي  هنر نقاشي ديواري تمدن اژه اي به روش مطالعات كتابخانه اي انجام شد. روش تحقيق توصيفي-تحليلي بود كه براي تفسير و تحليل داده ها به سه روشِ 1. تفسيرتركيب محور، . روش تحليل، . نشانه  شناسي انجام گرفت. نتايج درسه بخش استنباطي، توصيفي و نشانه شناسي شامل: در آمار استنباطي، ضريب همبستگي مثبت بين هنر نقاشي كاخ كنوسوس، باهاگياتريادا نشان از رابطه معنادار بين دو تمدن نام برده دارد. نقاشي هاي اين دوكاخ  با نقاشي كاخ  تيرنس روابط  همبستگي  معناداري ندارند و فقط دو تمدن كنوسوس و هاگياتريادا بريكديگر اثرگذار بوده اند. نتايج ‌‌‌آمار توصيفي نشان داده: هرسه كاخ    از نظر رنگ(رنگ هاي درخشان، اشباع، متضاد و مكمل)، و از نظر محتوا(مضامين اسطوره اي، اجتماعي، جنگي و احساسي) با يكديگر تفاوت داشته اند. نتايج چيستي وچگونگي نشان داد كه نقاشي هاي تمدن اژه اي به سبك امپرسيونيسم4 با تكنيك فرسك5 بوده است. تاريخ اين سبك به تمدن اژه اي دركاخ كنوسوس6 تعلق دارد. در نتايج نشانه شناسي، اژه اي ها به مسائل دروني و صلح توجه داشته اند و نقاشي‌ها ‌‌‌‌‌از هماهنگي، خلاقيت و تخيل برخورداربوده اند.

The present study is a study of the frescoes of the Aegean civilizations (Minoan, Mycenaean). The art of Mural Painting has begun from hunter-gatherer artists who lived in the Stone Age. A one-time flowering of the Stone Age has occurred in the Origen. Modern man has been able to create works in the aforementioned fields 40000 years ago and to apply them in everyday life is likely a ritual (Khalili Zarea; 2011). Human activity and its purpose is to convey the highest and best emotions that humanists have achieved. With the help of art designs, he expresses his feelings to all people and this is true not only of the present but of the past and the future (Tolstoy; 1994).Areas of study of the treatise include the art of civilization of the Island of Crete (Minoan civilization) and the civilization of Mycenaean located in the mainland of Greece in the second millennium BC. The main purpose of this dissertation was to study the features of the mural art of the Aegean civilization palaces.The main purpose of the dissertation is to study the following civilizations: 1. Mural study of the Knossos palace. 2. Study of the mural painting of Hagia Triada palace. 3. Mural study of the palace of Tyrense. Number 1 and 2, relating to the palaces of the Minoan civilization, are 1600 and 1400 of BC. an‎d number 3related to the Mycenaean civilization, is 140- 110 of B C. The main purpose of this study, using aesthetic theory in the field of archaeological art, is to demonstrate the wall artistic features of Aegean civilization. The information was collect through library studies. The research method was a descriptive analytic study that was used to interpret the data in three methods:1- combined interpretation, 2- analytical methods, and 3- semiotics.The resource and information collection required, 58 sample images were selected from all the collected images. The questionnaire key, consisting of 28 main questions designed with reference to the sources. The questions coded and then transferred to the Excel program and the qualitative codes became quantitative. Data processing: performed by SPSS software. The research results are in the following sections: statistical (inferential, descriptive) and anthropological. The result of the inferential statistical analysis showed that the positive correlation coefficient between the arts of the Knossos palace with the painting of Hagia Triada indicates a significant relation between the aforementioned two- state painting. This means that only the two Aegean cones and the Hagia Triada have been influential. From a semiotic perspective. Importance of internal issues. Coordination, creativity and imagination (combining, subjectivity and objectivity). The themes of the paintings have been mythical, social and atrocious.Descriptive statistics showed that: All three palaces differed in color (bright, saturated, contrasting colors), and in content (mythical, social, elemental war themes). In other words, the results show how the paintings of Aegean civilization were of impressionism style and that of the Imperial style. The results of the semiotics indicate that the Aegean has been concerned with intrinsic issues.